This week is a one of revelation, bringing quite a few story arcs to their satisfying conclusion and starting a few new ones. Justice League of America reveals a major secret, Batman/Superman ends its first storyline with unique style, and Supergirl picks up after a “Who Shot J.R.” style cliffhanger dangled over two months worth of issues. Meanwhile, Forever Evil: Rogues Revenge kicks off this month with its first issue and Batman & Robin emerges from a slew of guest stars with a five issue Two-Face “team-up.” An awesome week to be sure, so let’s jump into it.
- Justice League of America # 8 answers the question of what happened to the three Justice Leagues. Since the beginning of Forever Evil the Crime Syndicate of America from Earth-3 claimed that they had killed the Justice League. The vision of the world’s saviors defeated at the hands of a superior foe has robbed humanity of hope. But as this issue opens Stargirl and Martian Manhunter awaken in an open field with only blue skies and green grass as far as the eyes can see. As they move through it they realize that what they are in is a state-of-the-art prison, but how it works and to what end remains obscured. Traversing the prison, Manhunter discovers that all League members are in fact alive and penned in very specialized cells that cater to their inherent weaknesses. Wonder Woman, the Mighty Amazon, is forced to fight a pointless, neverending battle against humanity and her Amazonian sisters to save the lives of the two men she loves, Col. Steve Trevor and Superman. Captain Marvel, a young boy living in the body of a titan, is placed in a city where the massive destruction he incurs in his superheroics immediately right themselves, even the slain immediately resurrecting. For a little boy with infinite strength and a victim complex this scenario is intoxicating. Flash, the Fastest Man Alive, is trapped in his apartment subject to the whims of his imagination, thinking he is going faster than ever when really he barely moves. Superman, the noble Last Son of Krypton also called “the Boy Scout” by Batman, is weighed down by guilt over supposedly killing his teammates and attempts to fly fast enough to break the time barrier. Simon Baz, Iraqi-American and fifth Green Lantern of Earth, is a man with great anger and resentment at the social injustice leveled at himself, his family, and his people. Martian Manhunter’s mental abilities allow him to verify that each person is genuine and not delusions or elaborate hoaxes. Writer Matt Kindt is given the honor of revealing one of the biggest secrets of Forever Evil, and tantalizes with juicy details that cut deep to the psyches of each character. I mentioned the inherent weaknesses of the characters, but those weaknesses do not include kryptonite or the color yellow, etc. Each of the Justice Leaguers has a weakness in their character and exploiting those weaknesses is a more sustainable restraint than their physical limitations. So the Justice League and Justice League of America are both alive and being held in a customized super-prison. This reveals a lot, but raises more questions. 1) Why did the CSA leave them alive when they could have killed them and ended any future interference? 2) What is the prison and how does it work? 3) Why were Stargirl and Martian Manhunter left together in the prison and how does the field play into their ideal incarceration? Matt Kind writes a hell of a Forever Evil tie-in to usher in Justice League of America’s involvement in the greater scheme of things. Doug Mahnke continues art duties on the title after initial series artist David Finch moved over to the main Forever Evil book. Mahnke has a talent for rendering very serious material with the subtleties of his art. Considering the prison’s function of playing into internal flaws, Mahnke’s art, especially in the eyes and expressions of his subjects, effectively displays their delusional states and subsequent madness. Overall, Kindt and Mahnke provide a stellar issue cutting to the heart of the Earth-1 aspect of Forever Evil.
- Forever Evil: Rogues Rebellion #1 fulfills the promise of its title; the Rogues’ rebellion begins. Brian Buccellato, cowriter of The Flash, has been writing the Rogues on and off for 28 issues. The Rogues are compelling villains, because they have ironclad codes of honor that they rigidly adhere to. That honor is what sets them apart from the “Evil that shall inherit the Earth.” In this spinoff series of Forever Evil, the Rogues return to Central City after witnessing the Crime Syndicate’s rousing speech reprinted in almost every tie-in book. What greets them is a city in ruin and mass carnage. In the Gorilla Grodd Villains Month issue we saw the cause of the carnage. Grodd was freed from the Speed Force and abhors the concept of gorillas and humans coexisting in peace. When Solivar, leader of Gorilla City, tried to make amends for Grodd’s attack on the Gem Cities, Grodd comes back to finish the job he began. Humans and gorillas are slaughtered wholesale. However, many are left alive for other villains to finish off. The Rogues prey upon Central City and Keystone City, but they DO NOT kill and they don’t steal from people who can’t afford it. They also are VERY territorial and any violence leveled at their home is tantamount to a declaration of war against them. So when they find most of the Gem Cities’ police force chained to trees they let them loose, but assert right from the start that they will work with the police, but will not cow to them. After the events of the Rogues issue during Villains Month, Lisa Snart, aka Golden Glider and younger sister of Captain Cold, fell deeper into a coma after overexerting her astral form to free her lover, Mirror Master, from his Mirror World prison. Cold took over leadership of the Rogues after this and her safety became the primary concern of all members henceforth. So when they visit her bedside in the hospital and the Crime Syndicate’s lackeys come forward to enact Central City’s destruction they show their true colors and give their fellow “villains” a show. The ending of this issue was heralded before in Forever Evil #2 with the dispatch of Deathstorm (evil Firestorm of Earth-3) and Power Ring (sort of evil Green Lantern from Earth-3) to put down their rebellion. Brian Buccellato is ridiculously on with this first issue, proving that he understands quintessentially the logos of these anti-heroic figures of comic lore. The Rogues aren’t bad per se, but their ignominy stems from the tenacious drive they have to achieve their goals and resist anyone or anything that would stop them. What’s more, they fight tenaciously while still holding fast to their sacrosanct code of honor. There is a scene after they release the police when Lt. Singh, Barry Allen’s supervising officer, levels a gun at Heat Wave and the Rogue looks him in the eye and very calmly delivers a smooth warning that immediately gets the gung-ho officer to lower his weapon. That thin line between ceding ground and seizing it is a gossamer thread that can make or break a Rogue story and Buccellato walks it like a pro. The art of this issue is split between two artists, Patrick Zircher and Scott Hepburn. Both artists worked with Buccellato last month on his Flash Villain issues, Zircher lending his art to The Rogues and Hepburn to Reverse Flash. Zircher’s art was outstanding and very emotionally charged. Hepburn’s fell flat in my opinion when juxtaposed so closely with the evocative pencils and inks of Zircher. I didn’t mind his art in the Reverse Flash issue, and actually kind of liked it. However, when so closely placed to such a different style, Hepburns art comes off far less realistic and more cartoonish, and considering the somber tone of the book, that is NOT conducive to the readers immersion in the plot. Overall though, it was a phenomenal issue and one not to be missed.
- Green Lantern: New Guardians #24 is the middle mark of the epic “Lights Out” storyline happening throughout the Green Lantern titles. Oa, center of the universe and ancient homeworld of the Green Lantern Corps, has been destroyed by the ancient being known as Relic, leaving the Green Lantern Corps homeless and in exile. Former Green Lantern and current White Lantern Kyle Rayner also finds himself reeling from the loss of Oa. However, in the wake of this tragedy the errant entities of the various lights simultaneously possess him and bend him to their will. Kyle had previously played host to Ion, entity of Will, and Parallax, entity of Fear, and been able to assert himself with difficulty, but with five of the seven infesting him at once there is no shaking them off. However, while his incarceration is unpleasant, it does shed light on what is going on with the entities and the universe’s reservoir of light. Justin Jordan has been helming this title since the apocalyptic events of “Wrath of the Last Lantern” concluded Tony Bedard’s run and his issues have really put the weight of the world on poor Kyle’s shoulders. If you are a fan of Kyle Rayner, as I am, this issue and its immediate predecessors paint a very epic picture of the artist’s role in maintaining cosmic equalibrium. Justin Jordan picks up from Robert Venditti and Van Jensen and passes the story to Charles Soule for Red Lanterns #24 with no loss of momentum. Truly amazing.
- Batman & Robin #24 opens with a fly landing on a sleeping Two-Face’s bad eye, which never closes when he sleeps. Waking up, he puts a gun to his head. By page 2 writer Peter Tomasi has already established a haunted version of the binary bad guy. Then the story shifts to Batman and the GCPD breaking skulls to find details on the imminent return of an infamous Gotham mobster that has been running the Irish gangs remotely from numerous safe houses around the world: Erin McKillen. She comes into town for a very important summit with all Gotham City families to determine the future of organized crime in a city plagued with “freaks.” McKillen is told that she is going to be the one to start the ball rolling by offing Two-Face, the man she created. Cut to a flashback of that fateful moment years ago. Harvey Dent wakes in his office, strapped to his desk top, his wife Gilda dead on the floor with a letter opener in her chest, and Erin McKillen wearing Gilda’s clothes. Mocking him, she pours acid on his face to show Gotham “what a two-faced son of a bitch [he] is.” Despite the agony he breaks some glass with his shoe and saws the ropes holding him down, freeing himself, then holds his wife one last time and kisses her with his wrecked face. Again, the characterization and the haunted nature of Harvey Dent is beautifully portrayed by Tomasi and visually rendered by Tomasi’s long time collaborator, Patrick Gleason. No doubt there is more here than meets the eye, but there is a compelling pathos that accompanies Harvey through his portions of this month’s issue. Like most villains examined during Villains Month, he has his overwhelming darkness that compels him into acts of villainy, but underneath the emotional (and in this case physical) scarring there is a human being. Following the death of Damian Wayne, Tomasi has changed the title of the series month after month to accommodate his partner du jour. Each only last a month and he moves on to the next team up. This issue begins a five month Batman & Two Face arc. The two Gotham City strong men might not work together directly, but there goals are the same: taking down Erin McKillen and making her face justice in some way for the heinous acts she has committed against Gotham City. Will it be in the judicial system or at the end of a knife? Tomasi knows what he’s doing, so I impatiently await the answer.
- Batman/Superman #4 brings to an end the series’ first arc and also illuminates the opening arcs of both Justice League and Earth 2. This first arc brings pre-Justice League #1 Batman and Superman together and sends them to Earth-2 where they meet their older, more established selves. One thing writer Greg Pak really highlighted well in the past three issues is just how different the Earth-1 and Earth-2 Batmen and Supermen are. One of the things I personally hated about Superman in the initial Justice League issues was how “in your face” he was and his lack of control. Superman should be all about restraint and moderation. The same can be said about Geoff Johns’ Batman from those same initial Justice League books that ushered in the New DCU. Batman always is dark and brooding, but he’s intelligent and analytical about it, not confrontational and snarky without cause. That is precisely how Greg Pak explores these two characters. The Earth-1 iterations of the characters as they were first depicted by the misguided pen of Johns are juxtaposed against the characters as they should be, now relegated to Earth-2. The most poignant example of this is Earth-1 Supes (whose adoptive parents died when he was in high school) meeting Earth-2 Superman and the elderly Kents. The Kents note that Earth-1 Superman has a foul mouth and lacks patience. Earth-2 Batman has a field day picking apart Earth-1 Batman, as does the otherwordly Batman’s wife, Catwoman. Last issue the Apokaliptian demon named Kaiyo told the Supermen, Batmen, and Earth-2 Wonder Woman and Catwoman that this world’s military have obtained a giant crystal shard with supernatural abilities to alter reality. This weapon was made to combat Superman, but Kaiyo says it can be used to combat a greater threat that is imminent. Darkseid. The Earth-2 Superman and Batman want it destroyed. Earth-1 Superman and Batman want to save it. Their initial desires and the people they are ultimately dictate their respective fates and eventual dooms. The arc was rife with dichotomies between Batman and Superman and between different versions of themselves. Greg Pak comes into the game late, but takes what has been done shoddily in the past and makes it work toward a larger purpose. His rendering of imperfect characters is thoughtful and highly entertaining, but raises the question of what he will do in his next arc which looks to take place in a post-Justice League #1 continuity when both Batman and Superman were written better and when, as characters, they began to respect one another. Also worth mentioning is the breathtaking art by Jae Lee. Lee’s rendering of characters is very ethereal in the emotionless expressions he imbues them with and a look of effortlessness in everything they do, no matter how incredible. Considering the clash of titans this arc depicts, Lee is the quintessential choice for it. Four issues in and this has become a must read series.
- Batwoman #24 is a bittersweet issue marking the premature departure of writers J.H. Williams III and W. Haden Blackman from the title. Initially when they decided to leave they were going to write through issue #25 to end the overreaching arc they had begun. This issue marks the actual end of their run, one issue shy of their intended end. And what a cliffhanger they left . . . Since the beginning of the “Weeping Woman” arc in early 2012 Batwoman, a.k.a Kate Kane, has been on the hook by the D.E.O. chief, Director Bones, and his underling Agent Cameron Chase. Since the mid 90’s when J.H. Williams III worked on the series Chase the D.E.O. (Department of Extranormal Occurrences) has been looking for the holy grail of secrets in the superhero world: the identity of the Batman. They have tried everything and always come up short. Batwoman becomes their ace in the hole. With a vulnerable member of the Bat-family in their pocket they have the means to finally blow that secret wide open. Chase learns that Col. Jacob Kane (Batwoman’s father) armed his daughter with military equipment and later they get their hands on Kate’s twin sister, Beth, a.k.a Alice. Williams and Blackman have been building toward this moment for twenty issues and the moment has finally come. Bones has unleashed renegade Batman villains on Gotham as a massive diversion while Batwoman gets in close. In the meantime Jacob, Betty a.k.a Flamebird (Kate’s cousin and sidekick) and a select team of operatives infiltrate the D.E.O. safe house where Beth is being held. Beth is on the verge of being rescued and Batwoman sucker punches Batman, but good. This issue ends in the perfect way to set up a MASSIVE finale to a storyline looooong in the making, only for the writers to be driven from their title. Also distressing is the off-putting of the conclusion to December with the last minute inclusion of Batwoman to the “Blackout” event throughout the DCU. As a Gothamite her involvement does make a modicum of sense. November marks the regime shift of relief writer Marc Andreyko and artist Jeremy Haun. J.H. Williams III and W. Haden Blackman are two incredible writers and Williams a peerless artist. The loss of both could be catastrophic to this must-read title. In my opinion this distressing possibility is augmented by the awful job Andreyko did on the Sword of Sorcery backup feature “Stalker.” The original story created and written by Paul Levitz in the 70’s was amazing. Andreyko’s was version was horrendous to read and completely without point. His ability to pick up where greater minds have left off remains highly questionable. We’ll see what November holds for Batwoman.
- Supergirl #24 is one of the October issues screaming for release after the shock ending of August’s Supergirl #23. Supergirl had found herself on a constantly morphing colony of hive-minded mechanized organisms called the I’Noxia. These machines are benign in nature, but forced to cooperated with the Collector (Brainiac) and his creation, the Cyborg Superman. Supergirl is dying from Kryptonite poisoning after the “H’el on Earth” crossover in the Super-books. The I’Noxians offer her haven by computerizing her intelligence in exchange for Cyborg Superman gaining custody of her body and using her Kryptonian flesh to reconstitute his missing parts, returning his former body, but also the missing memories of his identity. She resists and he takes what he wants by force. He gets his body and his memories back and lo and behold . . . he’s Zor-El. Kara’s father! Upon regaining his memories and his mind he is immediately struck with horror at what Brainiac’s programming made him do. In September the Cyborg Superman issue of Action Comics revealed the connection between Zor-El and Brainiac and how he came to be made into the Cyborg Superman. Zor-El is a good man, but the road to Hell is paved with good intentions. And in this issue a father’s love takes him once again down the road to Hell. Kara can live again. The I’Noxians have the technology to reconstitute her, but that would require the rebirth of the Cyborg Superman. Writer Michael Alan Nelson writes a compelling version of Zor-El, eldest son of the House of El, and dedicated scientist. His love of his family and his people forced him to seek help in the most dangerous places if even the slightest chance of survival exists. Ending this issue, Kara comes face to face with the cosmic entity known as the Oracle, heralding the beginning of the “Krypton Returns” storyline beginning with Action Comics Annual #2. After the lead ins to this event dropped in both Superman #0 and Supergirl #0 last September I have been waiting on pins and needles to see the resolution as to how Superman and Superboy could have been on Krypton prior to its destruction. In a little over a month we will have the answer.
- Red Hood and the Outlaws #24 brings about the final showdown in ‘Eth Alth’eban between the League of Assassins, guardians of the Well of Sins, and the Untitled, ancient embodiments of evil born from the Well. Jason has been chosen to be the leader of the League and fights to stave off the assault that could result in the end of all things. Jason proves to be an adept disciple of the Batman, exhibiting the same ingenuity and resolve against forces far beyond his measure. Indeed, that is most likely why the League chose him as their leader. On the other side of fight, Roy Harper also is shown in a revealing light. Previously, Roy helped the Untitled breach the impenetrable walls of ‘Eth Alth’eban under the understanding that he would be freeing Jason from a pack of vipers (which the League of Assassins are) and saving the world. That last part wasn’t true at all, which he realized too late. However, in his moment of reflection on his deteriorating relationships with Jason and Starfire he manages to capture the sympathy and last throbs of human compassion in the heart of the assassin, Cheshire, who in previous DC iterations was the mother of his daughter, Lian. James TynionIV’s writing of this series is pretty good, although admittedly he has a long way to go to measure up to his predecessor and the series’ creator, Scott Lobdell. Lobdell created the Untitled, so Tynion’s wrapping up of the fabled cabal begs the question of what Lobdell’s original intentions were for them. Other than that, the issue comes off very well and reintroduces a venerable figure in Batman lore to the New 52. Julius Gopez continues his phenomenal work as artist on the series, adding weight and substance to the Tynion’s scripts though his very expressive artwork. Every emotion is blatant in his lines immediately immersing the reader in the agony and ecstasy of the book’s cast of characters. Definitely and enjoyable book and a series worth picking up.
- Vibe #8 dives head first into the wellspring of Cisco Ramon’s powers. Vibe, as he’s been called, got his powers when he was caught in the event horizon of an Apokaliptian Boom Tube during Great Darkseid’s invasion of our world. As a result he is attuned to extradimensional vibrations and able to sense and counteract beings from other dimensions. Up to this point his powers were uses to detect intruders and refugees from other planes and if necessary, combat them. After being wounded and sucked out of our dimension he begins leaking that energy the Boom Tube endowed him with, hurtling him from dimension to dimension with no control. In the background as he cascades through all existence are little easter eggs from the two year run of the New DCU, including the recent fight between Green Lantern (Alan Scott) and Bruutal on Earth-2, the Phantom Zone, President Superman from Earth-5, and the gemworld of Nilaa that we last saw in the now cancelled Sword of Sorcery title. It is while defending Princess Amethyst from the Quartz Hordes that the enigmatic figure called Breacher finds Cisco and puts a patch on his wound that stabilizes his dimensional radiation. He takes Vibe to his own world, Piradell, and tells of the history that lead to its subjugation by the despotic Queen Mordeth and how that ties back to the same event that gave Cisco his powers. At the same time that Cisco was imbued with interdimensional energies the Boom Tube collapsed on his elder brother, Armando. They always assumed that Armando died, when he actually became a creature like Cisco and upon landing on Piradell gave Mordeth the means to subjugate that world. Now Breacher and Cisco need to save Piradell, Armando who is under the thrall of Mordeth, and Mordeth’s daughter, Gypsy. Sterling Gates has done the seemingly impossible, making Vibe a good character. His original iteration in the Justice League Detroit comics was a joke at best. Now he is substantial, thoughtful, and endowed with a sense of consequence in the larger scheme of the emerging DC multiverse. Back in the day, the Flash was the keymaster to the multiverse, having the ability to vibrate though realities from Earth to Earth. While Flash still has that ability, Vibe is pretty much made to solely be the custodian of opening the gates off our Earth, but also keeping those that breach from remaining. With that in mind, and with the multiverse slowly blooming in emerging DC plots, Vibe is a character to watch.
- Pandora #4 opens in the aftermath of Forever Evil #1 with Pandora, who was present when the Outsider (Earth-3 Alfred Pennyworth) opened the box that bears her name, finding herself transported to a desolate world littered with bones. Earth-3. The Birthplace of Evil. The only living thing she encounters is the blind and mortally wounded J’onn J’onzz (Martian Manhunter) of that reality. Through his rhetoric she become aware that the Crime Syndicate intend to do to our Earth what they did to this one. When she returns to Earth-1 she hatches a plan. First she entrusts a friend with the mission of reforging Pandora’s Box from the shattered remnants left after it opened the portal to the place of its birth, letting the CSA into our dimensional plane. The next step is getting her OLD friend Vandal Savage to give her the means to infiltrate the Secret Society meeting in order that she can get at the man known as the Outsider. What she intends to do with him remains up in the air, but that only ropes the reader into buying next month’s issue. I’ve made no secret that I am not a fan of the writing style of this series’ writer, Ray Fawkes, but it can’t be denied that this issue is very well done and an integral tie-in to the overarching Forever Evil event going on throughout the DCU. Series artist Francis Portela is always a delight with his lush artwork that has been seen in Legion of Superheroes (LONG LIVE THE LEGION!) and last month’s Killer Croc issue in the Batman & Robin title. Whether the success of this issue is predicated on Fawke’s writing or the tent pole Forever Evil plotline remains to be seen, but until that event wraps in March this series will no doubt carry its weight in realizing the full measure of Earth-3 and absolute evil.
And there you have it. An awesome week of comics that overall exceed the mark of this comic book geek. Here’s hoping next week measures up the same.
Disclaimer: I do not own the rights to any of these images and give credit to those whose work they are.
Justice League of America #8: Drawn by Doug Mahnke, Colored by Hi-Fi & Gabe Eltaeb, Inked by Christian Alamy, Tom Nguyen, Keith Champagne & Marc Deering.
Forever Evil: Rogues Rebellion #1: Art by Patrick Zircher, Colored by Nick Filardi.
Batman & Robin #24: Drawn by Patrick Gleason, Colored by John Kalisz, Inked by Mick Gray.
Batman/Superman #4: Art by Jae Lee, Colored by June Chung.
Batwoman #24: Art by Trevor McCarthy, Colored by Guy Major.
Supergirl #24: Drawn by Diogenes Neves, Colored by Guy Major, Inked by Marc Deering.
Red Hood and the Outlaws #24: Drawn by Julius Gopez, Colored by Nei Ruffino & Hi-Fi, Inked by Walden Wong & Ray McCarthy.
Vibe #8: Drawn by Andres Guinaldo, Colored by Brad Anderson, Inked by Mark Irwin & Marc