Oct. 16, 2013

This week is a one of revelation, bringing quite a few story arcs to their satisfying conclusion and starting a few new ones.  Justice League of America reveals a major secret, Batman/Superman ends its first storyline with unique style, and Supergirl picks up after a “Who Shot J.R.” style cliffhanger dangled over two months worth of issues.  Meanwhile, Forever Evil: Rogues Revenge kicks off this month with its first issue and Batman & Robin emerges from a slew of guest stars with a five issue Two-Face “team-up.”  An awesome week to be sure, so let’s jump into it.

  • Justice League of America # 8 answers the question of what happened to the three Justice Leagues.  Since the beginning of Forever Evil the Crime Syndicate of America from Earth-3 claimed that they had killed the Justice League.  The vision of the world’s saviors defeated at the hands of a superior foe has robbed humanity of hope.  But as this issue opens Stargirl and Martian Manhunter awaken in an open field with only blue skies and green grass as far as the eyes can see.  As they move through it they realize that what they are in is a state-of-the-art prison, but how it works and to what end remains obscured.  Traversing the prison, Manhunter discovers that all League members are in fact alive and penned in very specialized cells that cater to their inherent weaknesses.  Wonder Woman, the Mighty Amazon, is forced to fight a pointless, neverending battle against humanity and her Amazonian sisters to save the lives of the two men she loves, Col. Steve Trevor and Superman.  Captain Marvel, a young boy living in the body of a titan, is placed in a city where the massive destruction he incurs in his superheroics immediately right themselves, even the slain immediately resurrecting.  For a little boy with infinite strength and a victim complex this scenario is intoxicating.  Flash, the Fastest Man Alive, is trapped in his apartment subject to the whims of his imagination, thinking he is going faster than ever when really he barely moves.  Superman, the noble Last Son of Krypton also called “the Boy Scout” by Batman, is weighed down by guilt over supposedly killing his teammates and attempts to fly fast enough to break the time barrier.  Simon Baz, Iraqi-American and fifth Green Lantern of Earth, is a man with great anger and resentment at the social injustice leveled at himself, his family, and his people.  Martian Manhunter’s mental abilities allow him to verify that each person is genuine and not delusions or elaborate hoaxes.  Writer Matt Kindt is given the honor of revealing one of the biggest secrets of Forever Evil, and tantalizes with juicy details that cut deep to the psyches of each character.  I mentioned the inherent weaknesses of the characters, but those weaknesses do not include kryptonite or the color yellow, etc.  Each of the Justice Leaguers has a weakness in their character and exploiting those weaknesses is a more sustainable restraint than their physical limitations.  So the Justice League and Justice League of America are both alive and being held in a customized super-prison.  This reveals a lot, but raises more questions.  1) Why did the CSA leave them alive when they could have killed them and ended any future interference?  2) What is the prison and how does it work?  3) Why were Stargirl and Martian Manhunter left together in the prison and how does the field play into their ideal incarceration?  Matt Kind writes a hell of a Forever Evil tie-in to usher in Justice League of America’s involvement in the greater scheme of things.  Doug Mahnke continues art duties on the title after initial series artist David Finch moved over to the main Forever Evil book.  Mahnke has a talent for rendering very serious material with the subtleties of his art.  Considering the prison’s function of playing into internal flaws, Mahnke’s art, especially in the eyes and expressions of his subjects, effectively displays their delusional states and subsequent madness. Overall, Kindt and Mahnke provide a stellar issue cutting to the heart of the Earth-1 aspect of Forever Evil.

    The Mighty Amazon.

    The Mighty Amazon.

  • Forever Evil: Rogues Rebellion #1 fulfills the promise of its title; the Rogues’ rebellion begins.  Brian Buccellato, cowriter of The Flash, has been writing the Rogues on and off for 28 issues.  The Rogues are compelling villains, because they have ironclad codes of honor that they rigidly adhere to.  That honor is what sets them apart from the “Evil that shall inherit the Earth.”  In this spinoff series of Forever Evil, the Rogues return to Central City after witnessing the Crime Syndicate’s rousing speech reprinted in almost every tie-in book.  What greets them is a city in ruin and mass carnage.  In the Gorilla Grodd Villains Month issue we saw the cause of the carnage.  Grodd was freed from the Speed Force and abhors the concept of gorillas and humans coexisting in peace.  When Solivar, leader of Gorilla City, tried to make amends for Grodd’s attack on the Gem Cities, Grodd comes back to finish the job he began.  Humans and gorillas are slaughtered wholesale.  However, many are left alive for other villains to finish off.  The Rogues prey upon Central City and Keystone City, but they DO NOT kill and they don’t steal from people who can’t afford it.  They also are VERY territorial and any violence leveled at their home is tantamount to a declaration of war against them.  So when they find most of the Gem Cities’ police force chained to trees they let them loose, but assert right from the start that they will work with the police, but will not cow to them.  After the events of the Rogues issue during Villains Month, Lisa Snart, aka Golden Glider and younger sister of Captain Cold, fell deeper into a coma after overexerting her astral form to free her lover, Mirror Master, from his Mirror World prison.  Cold took over leadership of the Rogues after this and her safety became the primary concern of all members henceforth.  So when they visit her bedside in the hospital and the Crime Syndicate’s lackeys come forward to enact Central City’s destruction they show their true colors and give their fellow “villains” a show.  The ending of this issue was heralded before in Forever Evil #2 with the dispatch of Deathstorm (evil Firestorm of Earth-3) and Power Ring (sort of evil Green Lantern from Earth-3) to put down their rebellion.  Brian Buccellato is ridiculously on with this first issue, proving that he understands quintessentially the logos of these anti-heroic figures of comic lore.  The Rogues aren’t bad per se, but their ignominy stems from the tenacious drive they have to achieve their goals and resist anyone or anything that would stop them.  What’s more, they fight tenaciously while still holding fast to their sacrosanct code of honor.  There is a scene after they release the police when Lt. Singh, Barry Allen’s supervising officer, levels a gun at Heat Wave and the Rogue looks him in the eye and very calmly delivers a smooth warning that immediately gets the gung-ho officer to lower his weapon.  That thin line between ceding ground and seizing it is a gossamer thread that can make or break a Rogue story and Buccellato walks it like a pro.  The art of this issue is split between two artists, Patrick Zircher and Scott Hepburn.  Both artists worked with Buccellato last month on his Flash Villain issues, Zircher lending his art to The Rogues and Hepburn to Reverse Flash.  Zircher’s art was outstanding and very emotionally charged.  Hepburn’s fell flat in my opinion when juxtaposed so closely with the evocative pencils and inks of Zircher.  I didn’t mind his art in the Reverse Flash issue, and actually kind of liked it.  However, when so closely placed to such a different style, Hepburns art comes off far less realistic and more cartoonish, and considering the somber tone of the book, that is NOT conducive to the readers immersion in the plot.  Overall though, it was a phenomenal issue and one not to be missed.

    Don't Mess With Fire Or You'll Get Burned.

    Don’t Mess With Fire Or You’ll Get Burned.

  • Green Lantern: New Guardians #24 is the middle mark of the epic “Lights Out” storyline happening throughout the Green Lantern titles.   Oa, center of the universe and ancient homeworld of the Green Lantern Corps, has been destroyed by the ancient being known as Relic, leaving the Green Lantern Corps homeless and in exile.  Former Green Lantern and current White Lantern Kyle Rayner also finds himself reeling from the loss of Oa.  However, in the wake of this tragedy the errant entities of the various lights simultaneously possess him and bend him to their will.  Kyle had previously played host to Ion, entity of Will, and Parallax, entity of Fear, and been able to assert himself with difficulty, but with five of the seven infesting him at once there is no shaking them off.  However, while his incarceration is unpleasant, it does shed light on what is going on with the entities and the universe’s reservoir of light.  Justin Jordan has been helming this title since the apocalyptic events of “Wrath of the Last Lantern” concluded Tony Bedard’s run and his issues have really put the weight of the world on poor Kyle’s shoulders.  If you are a fan of Kyle Rayner, as I am, this issue and its immediate predecessors paint a very epic picture of the artist’s role in maintaining cosmic equalibrium.  Justin Jordan picks up from Robert Venditti and Van Jensen and passes the story to Charles Soule for Red Lanterns #24 with no loss of momentum.  Truly amazing.
  • Batman & Robin #24 opens with a fly landing on a sleeping Two-Face’s bad eye, which never closes when he sleeps.  Waking up, he puts a gun to his head.  By page 2 writer Peter Tomasi has already established a haunted version of the binary bad guy.  Then the story shifts to Batman and the GCPD breaking skulls to find details on the imminent return of an infamous Gotham mobster that has been running the Irish gangs remotely from numerous safe houses around the world: Erin McKillen.  She comes into town for a very important summit with all Gotham City families to determine the future of organized crime in a city plagued with “freaks.”  McKillen is told that she is going to be the one to start the ball rolling by offing Two-Face, the man she created.  Cut to a flashback of that fateful moment years ago.  Harvey Dent wakes in his office, strapped to his desk top, his wife Gilda dead on the floor with a letter opener in her chest, and Erin McKillen wearing Gilda’s clothes.  Mocking him, she pours acid on his face to show Gotham “what a two-faced son of a bitch [he] is.”  Despite the agony he breaks some glass with his shoe and saws the ropes holding him down, freeing himself, then holds his wife one last time and kisses her with his wrecked face.  Again, the characterization and the haunted nature of Harvey Dent is beautifully portrayed by Tomasi and visually rendered by Tomasi’s long time collaborator, Patrick Gleason.  No doubt there is more here than meets the eye, but there is a compelling pathos that accompanies Harvey through his portions of this month’s issue.  Like most villains examined during Villains Month, he has his overwhelming darkness that compels him into acts of villainy, but underneath the emotional (and in this case physical) scarring there is a human being.  Following the death of Damian Wayne, Tomasi has changed the title of the series month after month to accommodate his partner du jour.  Each only last a month and he moves on to the next team up.  This issue begins a five month Batman & Two Face arc.  The two Gotham City strong men might not work together directly, but there goals are the same: taking down Erin McKillen and making her face justice in some way for the heinous acts she has committed against Gotham City.  Will it be in the judicial system or at the end of a knife?  Tomasi knows what he’s doing, so I impatiently await the answer.

    The Death of Love.

    The Death of Love.

  • Batman/Superman #4 brings to an end the series’ first arc and also illuminates the opening arcs of both Justice League and Earth 2.  This first arc brings pre-Justice League #1 Batman and Superman together and sends them to Earth-2 where they meet their older, more established selves.  One thing writer Greg Pak really highlighted well in the past three issues is just how different the Earth-1 and Earth-2 Batmen and Supermen are.  One of the things I personally hated about Superman in the initial Justice League issues was how “in your face” he was and his lack of control.  Superman should be all about restraint and moderation.  The same can be said about Geoff Johns’ Batman from those same initial Justice League books that ushered in the New DCU.  Batman always is dark and brooding, but he’s intelligent and analytical about it, not confrontational and snarky without cause.  That is precisely how Greg Pak explores these two characters.  The Earth-1 iterations of the characters as they were first depicted by the misguided pen of Johns are juxtaposed against the characters as they should be, now relegated to Earth-2.  The most poignant example of this is Earth-1 Supes (whose adoptive parents died when he was in high school) meeting Earth-2 Superman and the elderly Kents.  The Kents note that Earth-1 Superman has a foul mouth and lacks patience.  Earth-2 Batman has a field day picking apart Earth-1 Batman, as does the otherwordly Batman’s wife, Catwoman.  Last issue the Apokaliptian demon named Kaiyo told the Supermen, Batmen, and Earth-2 Wonder Woman and Catwoman that this world’s military have obtained a giant crystal shard with supernatural abilities to alter reality.  This weapon was made to combat Superman, but Kaiyo says it can be used to combat a greater threat that is imminent.  Darkseid.  The Earth-2 Superman and Batman want it destroyed.  Earth-1 Superman and Batman want to save it.  Their initial desires and the people they are ultimately dictate their respective fates and eventual dooms.  The arc was rife with dichotomies between Batman and Superman and between different versions of themselves.  Greg Pak comes into the game late, but takes what has been done shoddily in the past and makes it work toward a larger purpose.  His rendering of imperfect characters is thoughtful and highly entertaining, but raises the question of what he will do in his next arc which looks to take place in a post-Justice League #1 continuity when both Batman and Superman were written better and when, as characters, they began to respect one another.  Also worth mentioning is the breathtaking art by Jae Lee.  Lee’s rendering of characters is very ethereal in the emotionless expressions he imbues them with and a look of effortlessness in everything they do, no matter how incredible.  Considering the clash of titans this arc depicts, Lee is the quintessential choice for it.  Four issues in and this has become a must read series.

    Nice Guys DO Finish Last . . .

    Nice Guys DO Finish Last . . .

  • Batwoman #24 is a bittersweet issue marking the premature departure of writers J.H. Williams III and W. Haden Blackman from the title.  Initially when they decided to leave they were going to write through issue #25 to end the overreaching arc they had begun.  This issue marks the actual end of their run, one issue shy of their intended end.  And what a cliffhanger they left . . .  Since the beginning of the “Weeping Woman” arc in early 2012 Batwoman, a.k.a Kate Kane, has been on the hook by the D.E.O. chief, Director Bones, and his underling Agent Cameron Chase.  Since the mid 90’s when J.H. Williams III worked on the series Chase the D.E.O. (Department of Extranormal Occurrences) has been looking for the holy grail of secrets in the superhero world: the identity of the Batman.  They have tried everything and always come up short.  Batwoman becomes their ace in the hole.  With a vulnerable member of the Bat-family in their pocket they have the means to finally blow that secret wide open.  Chase learns that Col. Jacob Kane (Batwoman’s father) armed his daughter with military equipment and later they get their hands on Kate’s twin sister, Beth, a.k.a Alice.  Williams and Blackman have been building toward this moment for twenty issues and the moment has finally come.  Bones has unleashed renegade Batman villains on Gotham as a massive diversion while Batwoman gets in close.  In the meantime Jacob, Betty a.k.a Flamebird (Kate’s cousin and sidekick) and a select team of operatives infiltrate the D.E.O. safe house where Beth is being held.  Beth is on the verge of being rescued and Batwoman sucker punches Batman, but good.  This issue ends in the perfect way to set up a MASSIVE finale to a storyline looooong in the making, only for the writers to be driven from their title.  Also distressing is the off-putting of the conclusion to December with the last minute inclusion of Batwoman to the “Blackout” event throughout the DCU.  As a Gothamite her involvement does make a modicum of sense.  November marks the regime shift of relief writer Marc Andreyko and artist Jeremy Haun.  J.H. Williams III and W. Haden Blackman are two incredible writers and Williams a peerless artist.  The loss of both could be catastrophic to this must-read title.  In my opinion this distressing possibility is augmented by the awful job Andreyko did on the Sword of Sorcery backup feature “Stalker.”  The original story created and written by Paul Levitz in the 70’s was amazing.  Andreyko’s was version was horrendous to read and completely without point.  His ability to pick up where greater minds have left off remains highly questionable.  We’ll see what November holds for Batwoman.

    Battle of the Bats.

    Battle of the Bats.

  • Supergirl #24 is one of the October issues screaming for release after the shock ending of August’s Supergirl #23. Supergirl had found herself on a constantly morphing colony of hive-minded mechanized organisms called the I’Noxia.  These machines are benign in nature, but forced to cooperated with the Collector (Brainiac) and his creation, the Cyborg Superman.  Supergirl is dying from Kryptonite poisoning after the “H’el on Earth” crossover in the Super-books. The I’Noxians offer her haven by computerizing her intelligence in exchange for Cyborg Superman gaining custody of her body and using her Kryptonian flesh to reconstitute his missing parts, returning his former body, but also the missing memories of his identity.  She resists and he takes what he wants by force.  He gets his body and his memories back and lo and behold . . . he’s Zor-El.  Kara’s father!  Upon regaining his memories and his mind he is immediately struck with horror at what Brainiac’s programming made him do.  In September the Cyborg Superman issue of Action Comics revealed the connection between Zor-El and Brainiac and how he came to be made into the Cyborg Superman.  Zor-El is a good man, but the road to Hell is paved with good intentions.  And in this issue a father’s love takes him once again down the road to Hell.  Kara can live again.  The I’Noxians have the technology to reconstitute her, but that would require the rebirth of the Cyborg Superman.  Writer Michael Alan Nelson writes a compelling version of Zor-El, eldest son of the House of El, and dedicated scientist.  His love of his family and his people forced him to seek help in the most dangerous places if even the slightest chance of survival exists.  Ending this issue, Kara comes face to face with the cosmic entity known as the Oracle, heralding the beginning of the “Krypton Returns” storyline beginning with Action Comics Annual #2. After the lead ins to this event dropped in both Superman #0 and Supergirl #0 last September I have been waiting on pins and needles to see the resolution as to how Superman and Superboy could have been on Krypton prior to its destruction.  In a little over a month we will have the answer.

    Behold the Oracle.

    Behold the Oracle.

  • Red Hood and the Outlaws #24 brings about the final showdown in ‘Eth Alth’eban between the League of Assassins, guardians of the Well of Sins, and the Untitled, ancient embodiments of evil born from the Well. Jason has been chosen to be the leader of the League and fights to stave off the assault that could result in the end of all things. Jason proves to be an adept disciple of the Batman, exhibiting the same ingenuity and resolve against forces far beyond his measure.  Indeed, that is most likely why the League chose him as their leader.  On the other side of fight, Roy Harper also is shown in a revealing light.  Previously, Roy helped the Untitled breach the impenetrable walls of ‘Eth Alth’eban under the understanding that he would be freeing Jason from a pack of vipers (which the League of Assassins are) and saving the world.  That last part wasn’t true at all, which he realized too late.  However, in his moment of reflection on his deteriorating relationships with Jason and Starfire he manages to capture the sympathy and last throbs of human compassion in the heart of the assassin, Cheshire, who in previous DC iterations was the mother of his daughter, Lian.  James TynionIV’s writing of this series is pretty good, although admittedly he has a long way to go to measure up to his predecessor and the series’ creator, Scott Lobdell.  Lobdell created the Untitled, so Tynion’s wrapping up of the fabled cabal begs the question of what Lobdell’s original intentions were for them.  Other than that, the issue comes off very well and reintroduces a venerable figure in Batman lore to the New 52.  Julius Gopez continues his phenomenal work as artist on the series, adding weight and substance to the Tynion’s scripts though his very expressive artwork.  Every emotion is blatant in his lines immediately immersing the reader in the agony and ecstasy of the book’s cast of characters.  Definitely and enjoyable book and a series worth picking up.

    The Heart of Chesire.

    The Heart of Chesire.

  • Vibe #8 dives head first into the wellspring of Cisco Ramon’s powers.  Vibe, as he’s been called, got his powers when he was caught in the event horizon of an Apokaliptian Boom Tube during Great Darkseid’s invasion of our world.  As a result he is attuned to extradimensional vibrations and able to sense and counteract beings from other dimensions.  Up to this point his powers were uses to detect intruders and refugees from other planes and if necessary, combat them.  After being wounded and sucked out of our dimension he begins leaking that energy the Boom Tube endowed him with, hurtling him from dimension to dimension with no control.  In the background as he cascades through all existence are little easter eggs from the two year run of the New DCU, including the recent fight between Green Lantern (Alan Scott) and Bruutal on Earth-2, the Phantom Zone, President Superman from Earth-5, and the gemworld of Nilaa that we last saw in the now cancelled Sword of Sorcery title.   It is while defending Princess Amethyst from the Quartz Hordes that the enigmatic figure called Breacher finds Cisco and puts a patch on his wound that stabilizes his dimensional radiation.  He takes Vibe to his own world, Piradell, and tells of the history that lead to its subjugation by the despotic Queen Mordeth and how that ties back to the same event that gave Cisco his powers.  At the same time that Cisco was imbued with interdimensional energies the Boom Tube collapsed on his elder brother, Armando.  They always assumed that Armando died, when he actually became a creature like Cisco and upon landing on Piradell gave Mordeth the means to subjugate that world.  Now Breacher and Cisco need to save Piradell, Armando who is under the thrall of Mordeth, and Mordeth’s daughter, Gypsy.  Sterling Gates has done the seemingly impossible, making Vibe a good character.  His original iteration in the Justice League Detroit comics was a joke at best.  Now he is substantial, thoughtful, and endowed with a sense of consequence in the larger scheme of the emerging DC multiverse.  Back in the day, the Flash was the keymaster to the multiverse, having the ability to vibrate though realities from Earth to Earth.  While Flash still has that ability, Vibe is pretty much made to solely be the custodian of opening the gates off our Earth, but also keeping those that breach from remaining.  With that in mind, and with the multiverse slowly blooming in emerging DC plots, Vibe is a character to watch.

    From the Icy Plains of the Phantom Zone to the Steps of President Superman's Capitol.

    From the Icy Plains of the Phantom Zone to the Steps of President Superman’s Capitol.

  • Pandora #4 opens in the aftermath of Forever Evil #1 with Pandora, who was present when the Outsider (Earth-3 Alfred Pennyworth) opened the box that bears her name, finding herself transported to a desolate world littered with bones.  Earth-3.  The Birthplace of Evil.  The only living thing she encounters is the blind and mortally wounded J’onn J’onzz (Martian Manhunter) of that reality.  Through his rhetoric she become aware that the Crime Syndicate intend to do to our Earth what they did to this one.  When she returns to Earth-1 she hatches a plan.  First she entrusts a friend with the mission of reforging Pandora’s Box from the shattered remnants left after it opened the portal to the place of its birth, letting the CSA into our dimensional plane.  The next step is getting her OLD friend Vandal Savage to give her the means to infiltrate the Secret Society meeting in order that she can get at the man known as the Outsider.  What she intends to do with him remains up in the air, but that only ropes the reader into buying next month’s issue.  I’ve made no secret that I am not a fan of the writing style of this series’ writer, Ray Fawkes, but it can’t be denied that this issue is very well done and an integral tie-in to the overarching Forever Evil event going on throughout the DCU.  Series artist Francis Portela is always a delight with his lush artwork that has been seen in Legion of Superheroes (LONG LIVE THE LEGION!) and last month’s Killer Croc issue in the Batman & Robin title.  Whether the success of this issue is predicated on Fawke’s writing or the tent pole Forever Evil plotline remains to be seen, but until that event wraps in March this series will no doubt carry its weight in realizing the full measure of Earth-3 and absolute evil.

And there you have it.  An awesome week of comics that overall exceed the mark of this comic book geek.  Here’s hoping next week measures up the same.
Disclaimer: I do not own the rights to any of these images and give credit to those whose work they are.

Illustration Credits:

Justice League of America #8:  Drawn by Doug Mahnke, Colored by Hi-Fi & Gabe Eltaeb, Inked by Christian Alamy, Tom Nguyen, Keith Champagne & Marc Deering.

Forever Evil: Rogues Rebellion #1:  Art by Patrick Zircher, Colored by Nick Filardi.

Batman & Robin #24:  Drawn by Patrick Gleason, Colored by John Kalisz, Inked by Mick Gray.

Batman/Superman #4:  Art by Jae Lee, Colored by June Chung.

Batwoman #24:  Art by Trevor McCarthy, Colored by Guy Major.

Supergirl #24:  Drawn by Diogenes Neves, Colored by Guy Major, Inked by Marc Deering.

Red Hood and the Outlaws #24:  Drawn by Julius Gopez, Colored by Nei Ruffino & Hi-Fi, Inked by Walden Wong & Ray McCarthy.

Vibe #8:  Drawn by Andres Guinaldo, Colored by Brad Anderson, Inked by Mark Irwin & Marc

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Week 85 (April 17, 2013)

This week is a week of great flux in the DC Universe bringing change within and without the various series.  New writers come onboard, characters lives alter invariable, and in the case of Nightwing and Teen Titans, the artists play the swinging game swapping partners to try their hands at new characters and stories.  It’s truly an exciting time to be a DC fan, as these changes push the envelope of storytelling and innovation.  So here they are:

  • Justice League #19 introduces the two new members of the Justice League:  Rhonda Pineda (the new, female Atom) and Firestorm (whose series is being cancelled with May’s #20 issue).  Stuck alone in the Watchtower, waiting for their new teammates to initiate them into the League, they find themselves in a trial-by-fire situation.  On Earth, keeping them from meeting their newly recruited rookies, Batman goes to have a chat with Superman and Wonder Woman who have taken it upon themselves to insert themselves into a tense geopolitical situation.  Batman, though cold and calculating, understands that the world is growing distrustful of the League and violating political borders, no matter what the reason, does nothing but kick hornet nests and ruffle feathers.  I have to say that Geoff Johns really doesn’t portray Superman or Wonder Woman in a good light.  Wonder Woman is shown in a very fascist light and Superman, though opposed to her views, goes along with it because his girlfriend wants him to.  Compelling characterization, truly.  The issue also features a mysterious assailant breaking into the Batcave to steal a package Batman developed to take out Superman.  Considering the events of this issue, Johns’ version of the Man of Steel kind of deserves a few knocks to the head to maybe knock some sense into him.  In the backup feature, I may be forced to eat crow.  I’ve had very few good things to say about the SHAZAM backup or its version of Billy Batson, but after Johns reveals Black Adam’s history in ancient Kahndaq he seems to give validation to what he did with Billy, giving him the understanding to deal with Black Adam from a place of mutual understanding of why he is doing the things he is with the power the Wizard gave him.  Geoff Johns may be able to pull this one out of the toilet.  I say may.  Jury is still out.

    The Corruption of Power

    The Corruption of Power

  • Green Lantern: The New Guardians #19 picks up right where Green Lantern #19 left off with the destruction of Sinestro’s homeworld, Korugar.  Of course when Kyle shows up with a white ring on his finger, Sinestro demands that he restore his planet and his people from the apocalypse the First Lantern unleashed.  Kyle remains uncertain and Sinestro resorts to violence.  While many would demonize him for this reaction it should be noted that Hal Jordan reacted similarly in the wake of his hometown, Coast City’s, destruction and as a result snapped Sinestro’s neck and murdered the Guardians and half the Green Lantern Corps.  Sinestro in comparison is behaving himself quite admirably.  Simon Baz, the newly minted GL of planet Earth comes on the scene and all three Lanterns attempt to do the impossible, taking turns with the white ring to bring back the decimated world.  Kyle tries and fails, the ring won’t even allow Sinestro to put it on, and Simon Baz tries to replicate his feat of will that brought his brother-in-law out of a coma, only to be refused by the ring.  For good or ill, the Life Force of the white energy deems that Korugar must remain destroyed.  Like the two previous GL titles this month, New Guardians #19 sets the stage for the massive Green Lantern #20 next month with the cast of players taking position.  Its going to be a blowout issue that will go down in history.  Mark my words.

    The Return of Fear

    The Return of Fear

  • Batwoman #19 is an extended period of adjustment.  After the conclusion of the Medusa mega-arc a lot has changed in the Batwoman title and as a result the characters are having to reacquaint themselves with one another and the situations that have arisen from the fallout of the first seventeen regular issues.  Maggie and Kate’s relationship has taken a dramatic turn following Kate’s revelation that she is in fact the Gotham city vigilante known as Batwoman.  After all, in the course of doing her duty as a policewoman Batwoman shot Maggie full of a concentrated Scarecrow fear toxin that continues to plague her with horrific nightmares.  It is also her job to apprehend such vigilantes.  So yeah, their engagement is rather complicated legally and emotionally.  Kate’s father, Jacob Kane, has his own crosses to bear in his dual life as the father of Batwoman  and loving husband with his wife Katherine’s discovery that her stepdaughter, Kate, and niece, Betty, moonlight as crimefighters with Jacob’s help.  Thus another strained relationship.  Jacob also lets slip that he may have a son.  However they rationalize it, the hinting is that this son is Director Bones of the D.E.O.  Considering that Bones is using Jacob as a bargaining chip to gain Batwoman’s compliance to D.E.O. operations and that he referred to Alice as “sister”, I’d say that there is some seriously oedipal stuff going on there.  And as for Cameron Chase, the hard edged D.E.O. agent begins to have a crisis of conscience and goes to her sister to find resolution to her conflicting drives.  Overall, J.H. Williams III and W. Haden Blackman have made this title both action packed and introspectively thoughtful.  This continues to be one of the hallmark titles in DC’s current lineup.
  • DC Universe Presents #19 delivers its final presentation of the New DCU spinning out of the first four issues of Swords and Sorcery and bringing Beowulf into our present (his past) as summoned through a mystical artifact.  Preceding him is a shapeshifting beast called the “Puca” that runs amok with the intention of conquering the Age of Heroes and enslaving humanity.  Though logically it would change the timestream and corrupt events in her time, Beowulf concludes that the “sorceress” we’ve met under the relative name of “Grendel’s Mother” sent the Puca back to lure the legendary Geat from that time in order that she could conquer the Danelaw unimpeded.  Helping Beowulf find the Puca and get back to his own time is the beautiful archeaologist Dr. Gwendolyn Pierce.   This issue, though pretty straightforward and insubstantial by itself, was a pretty fun read for those that enjoy the original legend of Beowulf and the reinterpretation of it as done by this issue’s writer, Tony Bedard.  My hopes are that this concept will be revisited one day, because to me the Beowulf backup feature was superbly done and intriguing to read.  It may not have been popular, or at least not popular enough to continue in its own book, but I can dream.  The backup in Sword of Sorcery was drawn by Jesus Saiz, but this issue featured art by Javier Pina that was very soft, with lovely rounded lines, making it all the more enjoyable.  Man, I hope they continue on with this series . . .

    He's No Hero, He is BEOWULF!!!

    He’s No Hero, He is BEOWULF!!!

  • Legion of Super-Heroes #19 brings the next chapter in the off-the-rails storyline by writer Paul Levitz that re-establishes the defunct supervillain team, the “Fatal Five.”  So far, Tharok has plunged much of the United Planets into utter chaos by corrupting all technology powered by quark relays which accounts for 99.9% of it (I’m guessing on that figure, but its not far off), and in this issue Emerald Empress descends on Webber World, an artificial planet made entirely out of metal and machinery that runs ENTIRELY on quark relays.  That said, there is no way for the residents there to defend themselves against her psychotic assaults.  Cue  the entrance of Mon-El, the Legion’s Daxamite, and the Webber Worlders’ last hope.  Levitz holds nothing back in this storyline. The Fatal Five are back and they are playing for keeps.  Levitz began this arc with the death of a beloved Legionnaire and this issue finds the rest standing on infirm ground.  The sheer scope of the story is mind boggling, spanning the width of the United Planets and inflicting fear and death the likes of which we’ve not seen since Levitz’s “Great Darkness Saga” back in the early 1980’s.  Good to see that the master hasn’t lost his touch, nor his ability to spin quintessentially relevant Legion lore.  Starting this journey with him on issue #17 was his former partner from the aforementioned 1980’s opus, artist Keith Giffen.  Last issue and this one had art provided by Scott Kolins.  Kolins is a phenomenal artist, but put beside Giffen’s work it took some of the magic away.  Regardless, this is a series to read. Period.
  • Red Hood and the Outlaws #19 represents a paradigm shift on two levels.  Firstly, it should be noted that Scott Lobdell, writer extraordinaire who’s initiated some of the best titles in the New DCU (Teen Titans, Superman, Superboy, and this title), has moved on after a stellar run reinventing Jason Todd, Starfire, and Roy Harper, while simultaneously introducing incredible new concepts and characters like Essence, the All-Caste, the Untitled, the Thirteen Scions of Salvation, to name only a few.  The good news is that he is replaced by up-and-coming writer James Tynion IV, who’s work on the backup features in the Batman title as well as the series Talon have been incredible.  Joining him is artist Julius Gopez, whose art is as detailed as original series artist Kenneth Rocafort, but with its own unique style.  That said, the stage is set for an incredible issue as the new creative team descends into the quagmire left after the “Death of the Family” mega event felt throughout the Bat-family of books.  Jason Todd has been through a lot, and despite developing a hard exterior, weathered it pretty well.  With Lobdell’s revelation that the Joker was the architect of much of his misery, Jason is left in a very compromising situation.  Following that, he disappears and his friends, Starfire and Roy, try to find him to offer their support.  They track him to the Himalayas and while searching are set upon by two former acquaintances of Jason’s: Ducra and Essence.  Both transcendental forces, they attempt to influence the course of Roy and Koriand’r’s journey.   With his limited  knowledge gained from observing Jason’s meditation and use of Eastern rituals, Roy is able to weather his innermost demons, roused by Essence, to find the path to helping his friend.  However, after all of the pain and hardship to find their comrade, Jason throws a curve ball.  Tynion proves his understanding and mastery of comic writing here with some really poignant storytelling that doesn’t break stride from the tone and pace set by Lobdell.  Jason, Roy, and Starfire are very complex characters that are flawed beyond belief, but when written well are made all the better because of their imperfections.  Tynion writes them that way, and his partner in art renders them beautifully.  This series looks to be in good hands and I for one am breathing a sigh of relief that Red Hood and the Outlaws have found themselves in capable hands.

    The Color of Friendship

    The Color of Friendship

  • Nightwing #19 endures his own paradigm shift like Jason, his successor to the Robin title, did in the above book.  Though continuing to be written by Kyle Higgins, longtime artist Eddy Barrows has gone to Teen Titans and that series’ artist, Brett Booth, begins his run as artist on this book with this issue.  Coinciding with Booth’s jumping on point, Dick Grayson jumps ship from the tragedy that befell him in Gotham following “Death of the Family” and begins a new life in Chicago, searching for Tony Zucco.  Zucco is the supposedly deceased mobster that killed Dick’s parents, but also the father of his pseudo-girlfriend, Sonia Branch.  A complex situation to be sure, but one that Dick cannot overlook.  Though it dredges up harsh memories of the past, Nightwing has to seek out Zucco if he  ever hopes to attain closure on one of the seminal moments of his life.  The issue follows Dick settling into the Windy City and familiarizing himself with its underworld in order to get information on  Zucco.  It also introduces the “Prankster.”  Higgins imagines him almost as an anti-hero rather than the Joker-like Superman villain he was originally written as.  Here Prankster forces a corrupt millionaire to burn his money to prolong his survival when trapped in a room with wolves.  The chances of the man surviving the encounter are very decent, but he is forced to pay monetarily for the privilege.  Not supervillainous, but at the same time not heroic.  Higgins and Booth have created a very compelling first chapter for the new chapter in Dick Grayson, aka Nightwing’s life.

    Why So Serious?

    Why So Serious?

  • Supergirl #19 finds the Girl of Steel captive after a weakness overcomes her, probably due to her former kryptonite poisoning at the end of the “H’el on Earth” arc.  And as introduced last issue, Karen Starr, aka Power Girl  comes onto the scene, drawn by an unknown force to her Earth-1 self’s rescue.  In Worlds’ Finest she has gone out of her way to avoid meeting Kara, as she has no idea what it would mean meeting her alternate self.  Here she has no choice but to help “herself” and in the process writer Mike Johnson does something very interesting with the two halves of the same person.  When they meet and touch hands, instead of reality unraveling as quantum physicists project in such an unlikely event, they instead become of one mind, literally sharing their memories and thoughts.  After that instant they operate like a well oiled machine to put down a mutant freak that Lex Luthor sicced on them from his ultra-security prison, via neural implant.  Johnson does a really excellent job writing this story in a way that not only advances the title character, but the character of Power Girl from across the New DCU.  As is wont to happen with her, Power Girl’s costume is torn to shreds as she helps get the weakened Supergirl back to her sub-aquatic fortress of solitude, Sanctuary.  Within, Sanctuary ascertains her need and spins her a new costume from more durable Kryptonian fibers.  However, the costume it gives her deviates from the more PC, full body suit to the former skimpy unitard with the “convenient” hole in the chest that serves no other purpose than to display her cleavage.  Also, Mike Johnson makes ample use of this singular event of two genetically identical Karas  to play a very interesting scenario predicated from the taboo of cloning in Kyptonian culture.  Overall, a very interesting, thoughtful, action packed issue.

    Two Reflections of One Super Woman

    Two Reflections of One Super Woman

  • Vibe #3 takes Francisco Ramon further down the uncharted path his powers have placed him on.  Recruited by A.R.G.U.S and Amanda Waller for the Justice League of America, he is starstruck and wanting not only to make a difference, but find purpose following the horrific event that gave him his powers while simultaneously taking the life of his eldest brother.  From the perspective of such a kindhearted, idealistic young man like Cisco, that is completely understandable.  What he doesn’t know is that Waller put him on the JLA roster because he is theoretically the only being on the planet whose powers would allow him to neutralize the Flash’s speed abilities which come from an other dimensional force, which we know from The Flash to be the “Speed Force.”  So with that as the goal, how does one test that hypothesis?  If you want to fight an unknown creature the best way is to first try your hands against one of its young.  So Cisco is sent up against Kid Flash, aka Bart Allen, of Teen Titans fame.  Their meeting is morally mixed and hints very cryptically about the past (our future) of the younger speedster.  While Cisco begins by attacking Kid Flash, he is unable to continue on his belligerent path as Kid Flash does not behave in a way that engenders antagonism.  The events as I said before are very cryptic and morally ambiguous and begin the questioning of Vibe as to what his real purpose is and whether or not he can trust the people that are giving him orders.  I had my doubts about this book in the beginning.  Damn you, Geoff Johns, you got me!  Johns and cowriter Andrew Kreisberg started the series with the first two issues, but this third issue begins new series writer Sterling Gates’ tenure on title.  Gates is an incredible new voice in comics, so the title has gone from good hands to equally capable ones.
  • Wonder Woman #19 marks a nexus point in storytelling that promises a shift in the status quo.  The First Born has been systematically attacking those of his relatives that have been entrusted with his various implements of war.  This issue has him going up against Poseidon and fighting the god within his own leviathan belly.  Going up against his uncle, the two find themselves at an impasse and we see more of the twisted politics of the Greek gods coming into play as they make war and secret intrigues against one another.  However, for the First Born to achieve his ends he must cross paths with Zola’s infant baby, the last born of Zeus’s children.  To do that, of course he will have to go through Wonder Woman who has literally spent the entirety of this rebooted series protecting the baby from fetus to newborn.  As the title shifts to the Amazing Amazon and what she has been up to we see a major parting of ways.  Her Constantine-esque brother, Lennox, decides he is going depart the scene and in the midst of that departure, Orion runs afoul of Wonder Woman and leaves in disgust as well.  I’m not going to shed a tear on this departure, as Orion is a noble character and I feel that writer Brian Azzarello isn’t depicting him nearly as nobly as the son of Great Darkseid deserves.  Best to leave that to the more able pen of Scott Lobdell in Superman.  I will be interested to see how Wonder Woman fares against her eldest brother, the First Born, as he arrives in London in the very last panel of this issue.  Oh the anticipation . . .  She might yet regret the loss of an extra set of New God hands.  Oh well, pride cometh before the fall.
  • Sword of Sorcery #7 proves how incredible the main feature Amethyst is.  Last issue had the return of Eclipso, aka Lord Kaala, to the gemworld Nilaa.  After his return we are told that he was the result of a nightmarish blood marriage between House Diamond and House Onyx, hence his power totem, the black diamond.  With the powers of both houses gifted to him he was nearly unstoppable and almost brought ruin down upon all of Gem World.  But for Lady Chandra of House Amethyst he would have succeeded.  Now it lies with Chandra’s heirs, Lady Graciel, Mordiel, and of course Princess Amaya of the Amethyst clan to take him down once again.  They have their work cut out for them.  In the course of a single night, chronicled in this one issue, Kaala has murdered the head of House Citrine, retaken House Onyx from the noble Lady Akikra, and murdered the head of House Diamond taking its armies also under his power.  With one stroke he has regained all his strength and prestige from before his fall.  However, he still has many enemies including the fugitive Akikra who is as dangerous as a cornered dog, Prince Hadran of House Diamond, and of course the young lord and ladies of Houses Turquoise, Citrine, and Amethyst respectively.  The board is set for one hell of a showdown in Nilaa.  It will have to be, because sadly this title is being cancelled as of issue #8.  Next issue is the conclusion to all of it, and what a shame.  This was truly one of the best new series DC has put out.  It was fresh and unique from anything else that they had done, resurrecting a lesser known series and completely re-imagining it in a way that preserved the good, but innovated at the same time.  What a shame, indeed.  The backup feature Stalker on the other hand comes to its conclusion and good riddance.  As excellent as Amethyst is, Stalker is equally as terrible.  THAT is a shame, as the original series from the 70’s, only four issue unfortunately,written by the legendary Paul Levitz was incredibly good. It’s predecessor, Beowulf, which merited a special appearance in the above mentioned DC Universe Presents #19 was phenomenal.  I don’t even care to elaborate on how badly this Stalker series was dealt with.  Suffice it to say, this backup series did nothing to help the cancellation of this title.  It may have been a part of the anchor that dragged Sword of Sorcery below the water to its point of drowning.  Pity.  I will miss Amethyst  and Beowulf greatly.
    The Return of the King

    The Return of the King

     

  • Batman Beyond Unlimited #15 begins with the Superman Beyond feature.  Superman is rescued from the Trillians by the the bestial Mangals he liberated from enslavement upon his last visit to Trillia.  Whereas the Trillians view Superman as the terrorist who led to the fall of their society, the Mangals look upon him as a messianic figure.  This is made apparent when Superman sees them for the first time after all the intervening years.  When he liberated them they were small and helpless.  Now they are large and strong.  Apparently, the Trillians never let them grow to full maturity, but rather kept them young and worked them to premature death.  So once again, we the reader are shown a very divided society on Trillia between the over class and the bonded underclass.  Both sides want to eradicate the other, leaving a very morally ambiguous position for Superman.  Regardless of the heinous crimes of the Trillians as a culture, he cannot condone wholesale slaughter of all Trillians, yet at the same time he cannot stand idly by while the Trillians plan the same for their emancipated slaves.  This arc took a little while to reach maturity, but writer JT Krul has pulled this one out and made it into a very thought provoking storyline that raises questions about our own world and social systems.  Next up, in the Justice League Beyond Unlimited feature writer Derek Fridolfs begins a new arc with artist Ben Caldwell providing pencils.  In it the criminal organization known as the “Brain Trust” abducts children and places them in an elite prep school academy to brainwash them into becoming soldiers in an underground army.  The JLB sends their own agent, the “Golden Child”-like Green Lantern, Kai-Ro, in as a mole.  Once he is in the League tracks him to perhaps the most wholesome place in the entirety of  the DCU.  A place that makes Smallville look like a ghetto.  Fawcett City.  Ending in the middle of a fight, it is difficult to see where the story is going from here, but the concept of the “Brain Trust” is solid and I very much look forward to seeing where Fridolds goes in his script.  Lastly, the Batman Beyond feature fulfills a promise made over two years ago before the Reboot from the original Batman Beyond comic series.  Terry McGinnis’ best friend and confidante, Max Gibson, had attempted to infiltrate the network of cyber terrorists called “Undercloud” that were attacking Gotham’s infrastructure.  All of this without Terry’s knowledge.  Now she finds herself in the belly of the beast, integrally tied into Undercloud’s horrific plan to raze Neo Gotham and build it up from the ashes in their own image.  If she doesn’t comply, agents of Undercloud will kill those closest to her.  In the meantime, Terry is sent to a rock concert where a terrorist threat has been issued, although not by Undercloud.  Instead, its one of Batman’s old nemeses, Shreik.  Overall this issue was pretty quality in both storytelling and art.  For those that enjoyed the DC Animated Universe, this title stands as an ark to the legacy of many beloved TV shows.

Disclaimer: I do not own the rights to any of these images and give credit to those whose work they are.

Illustration Credits:

Justice League #19:  Drawn by Ivan Reis, Colored by Rod Reis, Inked by Joe Prado, Oclair Albert, Jonathan Glapion

Green Lantern: New Guardians #19: Drawn by Andres Guinaldo, Colored by Wil Quintana, Inked by Raul Fernandez

DC Universe Presents #19:  Art by Javier Pina, Colored by Jason Wright

Red Hood and the Outlaws #19:  Art by Julius Gopez, Colored by Nei Ruffino

Supergirl #19:  Art by Mahmud Asrar, Colored by Dave McCaig

Nightwing #19: Drawn by Brett Booth, Colored by Andrew Dalhouse, Inked by Norm Rapmund

Sword of Sorcery #7:  Art by Aaron Lopresti, Colored by Hi-Fi

Week 81 (March 20, 2013)

This was a huge week, both in the number of comics I picked up and the quality.  First and foremost, Grant Morrison concludes his run on Action Comics with an oversized issue that promises to be one of the hallmarks of his comics career.  Batwoman enters into a new era after a seventeen issue mega story came to an EPIC end last month.  Legion of Super-Heroes has descended into unmitigated horror as of its preceding issue and moves into what promises to be the biggest story in LOSH history since writer Paul Levitz’s “Great Darkness Saga” plot from the early 80’s.  And who could forget three Bat-titles that follow in the wake of Damian Wayne’s tragic passing.  I am shaking just recounting the possibilities this week holds in store.  Let’s jump in:

  • Action Comics #18 concludes Grant Morrison’s MASSIVE opening arc of this flagship Superman title.  As with most things Morrison, I’m not entirely sure I got all of it.  It is steeped in 5th dimensional nonlinear geometry and what could vaguely be filed under the heading of quantum mechanics.  Superman is fighting Vyndktvx, and by extension Superdoom and the Anti-Superman Army.  It’s pretty technical, but insanely engaging to read.  Superman’s position seems impossible to extricate himself from, except when he realizes an inherent flaw in the logistics of Vyndktvx’s attack.  As he discerned on Mars when fending off the Multitude, the unfathomable numbers of this angelic hoard were merely a fifth dimensional projection of one being, Vyndktvx.  Likewise, by choosing to attack Superman at various points throughout his life, Vyndktvx is able to optimize the torture quotient of his assault upon the Man of Steel, but conversely traps himself in a relativistic conundrum hinging on Superman’s perception of the situation.  When Superman realizes that he’s been attacked at other points in his life he also realizes that due to the quantum physics of the 3-dimensional plane in which we exist he would have survived all the previous assaults by Vyndktvx and therefore would have gained de facto the knowledge of how to defeat the mad 5-D villain.  Grant Morrison and his dynamic duo of artists, Brad Walker and Rags Morales, really did a great job of tying together their entire run on the book and making it meaningful.  Lex Luthor made an appearance defending the Man of Steel and another antagonist from earlier in this series, Adam Blake, and his Neo-Sapien brotherhood come back to Earth and lend Superman a hand as well.  The people of Earth are promised immortality and eternal happiness if they shun Superman in his moment of greatest need, but humanity rallies behind their savior and grant him the key to victory.  The backup feature by Sholly Fisch was a little insubstantial, but in fairness his amazing backup feature in #17 was no doubt supposed to be the ending of the arc until Morrison got DC to extend his run by one issue to fully tell the grand finale as he envisioned it.  This one features kids in a Superman Museum in the 31st century featuring almost no dialogue and just seems propped up with toothpicks.  There was meaning behind it, but it still had the air of being rushed.  Despite that, this issue as well as the other eighteen issues of the series (remember there was a #0 issue in there, too) were amazing and a tribute to Grant Morrison’s genius.  A must read, whether in single issues or graphic novel format.

    Vyndktvx's 5-D Dilemma

    Vyndktvx’s 5-D Dilemma

  • Justice League #18 was a nerd spasm with the League auditioning new members and writer Geoff Johns pulling out all sorts of fan favorites along with some really obscure characters.  Zatanna, Firestorm, and Black Canary come up , but Johns also brings in Platinum of the Metal Men, Element Woman (female version of Metamorpho) which he’d messed around with in Flashpoint, Goldrush, and a female version of the Atom.  Other than exploring the need of a new member to the team and introducing the hint of a coming conflict, there wasn’t much point to this issue.  The Shazam backup feature had good art from Gary Frank, but vexing plot development: Billy Batson running away from responsibility, because he’s a punk.  If he were any other version of the character than this it could be legitimately reasoned as a kid afraid to fail, but it’s not.  It’s Geoff Johns’ bizarre attempt at rebooting an edgier Billy and his running away from conflict just comes off as him being a self interested brat.  This series just does not work for me, main feature and backup.
  • Justice League of America #2 brings about Geoff Johns’ second attempt at a team book.  The first issue was a really solid opening chapter that showed promise, albeit suffering slightly with its breakneck, abbreviated introductions to six lead characters.  This second issue continues that promise with a pretty substantial plot.  Its shorter in length, giving some of its page count to the Martian Manhunter backup feature.  There is some quality character development on Catwoman, as well as Steve Trevor.  The main villain seeking to create the “Secret Society of Super-Villains” from the end of Justice League #6 a little more than a year ago finally shows his face and seems to be a completely new character, or perhaps a drastically different take on an old one, because I do not recognize him at all.  All in all, a really enjoyable, edgy series.  I think that Geoff Johns is trying to be edgy with the two Justice League titles and that is where he fails with the main series.   When you have tertiary characters like Catwoman, Katana, Hawkman, etc, you can be edgier.  When you try that same thing with the main DCU characters, even to a degree with Batman, you just alienate them from the audience reading them.  Maybe that’s what Johns is going for, but that’s a really low bar to aim for and a really crappy status quo for readers to expect.  The Martian Manhunter backup was too edgy for me and I did not like it.  If J’onn J’onnz was to die at this point I wouldn’t care at all.  That is sad, because I always liked him.
    Kindred Spirits

    Kindred Spirits

     

  • Batwoman #18 is a new beginning for the character, but also a reaffirmation of what her life has become.  Medusa and her kidnapping of dozens of Gotham children was the plot that pervaded the first seventeen issues of the title, but with last issue that has been laid to rest.  However, in fighting this titanic battle for the innocents of her city, Batwoman had to make a devils deal with the D.E.O. and become their leashed super-agent in order to complete her mission with impunity and keep her father out of prison for his outfitting of her with Army equipment.  This latter aspect of her life was overshadowed by the pressing quest to find and subdue Medusa before the children came to harm.  With the mission accomplished she is becoming aware of the shackles she’s got herself tethered with.  As she plays her role in this issue taking down Mr. Freeze to obtain some of his freeze tech for the D.E.O. she runs afoul of Batman and confuses her father, cousin Betty (her sidekick Hawkfire), and the Batman as to what her motives are.  After defeating Medusa, Batwoman proposed to her alter-ego Kate Kane’s girlfriend, Capt. Maggie Sawyer.  This issue picks up with Maggie looking for a new place for the two of them, completely overstepping any reaction from the Gotham policewoman as to the revelation that her lover was the vigilante she had been hunting.  Probably the right decision by J.H. Williams III and W. Haden Blackman, but I still would have been interested to see what the initial conversation was before her acceptance of this rather unorthodox situation.  This series continues to be amazing, although this particular episode was a little less exciting after the high octane ride the past couple of months have given us with the conclusion of the “Medusa” mega-arc.  Also Trevor McCarthy’s art pales in comparison to Williams’.  I feel they do him a disservice, as he is a good artist, by pairing his artwork next to Williams’.
  • Green Lantern: The New Guardians #18 brings Volthoom’s wrath upon Carol Ferris, Saint Walker, and Larfleeze.  To accomplish this, series artist Aaron Kuder has been replaced with three artists for the three different sequences in the narrative.  The Carol Ferris segment is drawn by Hendry Prasetyo and features Carol living a life without love.  She’s completely ignored her obligations to her father and their family company Ferris Aircraft, following her dream to become a fighter pilot.  Though this sounds ideal for her, with Volthoom’s altered timeline it is anything but.  Larfleeze’s segment is drawn by Jim Calafiore and features the paragon of greed first with his family that he has desperately wanted to find for ages and then as a Blue Lantern.  Both times, he barely gets into the altered reality before his inherent greed overpowers his senses and collapses the concept in on itself.  Saint Walker doesn’t so much live a life without hope, so much as lives a life without loss, this time around having gotten a green power ring saving his planet before his family died in the quest for the blue one.  He also is unable to follow the reality through as in his heart he knows it is not true.  Like Kyle last issue, each of the other “New Guardians” prove too powerful in their spirit for Volthoom to truly get the better of forcing Volthoom to seek out someone he knows he can manipulate: Atrocitus.  That may be a lead in to next week’s Red Lanterns issue, because Atrocitus hasn’t been a New Guardian for awhile.  This issue was really well written and really cut to the heart of these three incredible lanterns.
  • Supergirl #18 presents a major turning point for the Maiden of Steel.  She has been alienated upon waking up on a planet whose language and culture she is unfamiliar with.  Things looked up for awhile as she made a friend in Siobhan McDougal, aka Silver Banshee, but then with the introduction of H’el onto the scene she was given the hope of returning to her homeworld and being reunited with her family.  With last month’s issue of Supergirl as well as the conclusion of Superman #18 it is now an intractable fact: Supergirl can never go home again.  That is sadly pointed out in a moment where she emerges from a solar satellite where she is convalescing from green kryptonite poisoning.  After exiting the solar chamber she begins to say “I want to go home,” but stops and corrects herself, “I just want to get back to Earth.”  Her expression in this moment is truly heartrending.  In the meantime, Lex Luthor plots against her from his state-of-the-art, super-prison, via neural implant that projects his consciousness to an offsite computer.  Also a strange connection between Kara Zor-El and Karen Starr, the Kara Zor-El of Earth 2, is teased at.  This issue featured a guest writer, Frank Hannah, and he picks up and continues the series in intriguing new directions.  Coming off of a massive event like “H’el on Earth” can be dangerous, providing a jumping off point for readers of certain series if they don’t sink a hook right away.  This issue sunk a hook.  What’s to come has great promise.

    You C Never Go Home Again

    You Can Never Go Home Again

  • Legion of Super-Heroes #18 continues down the cataclysmic road that issue #17 began.  The United Planets are still reeling from the assault of Tharok against the technological advances of the 31st century and the death toll mounts.  The last issue focused on Legionnaires stranded on Rimbor and the Promethean Giants.  This one goes back to both locations and the plight upon them, but also adds Earth and the Legion’s headquarters in Metropolis to the stage.  Mon-El, Shadow Lass, Lightning Lass, Shrinking Violet, and Cosmic Boy leave Earth for Webber World, an artificial planet that is nothing but technology to try and establish the devastation there.  Brainiac 5, Dream Girl, Star Man, Chemical Kid, and Element Lad attempt to get a cruiser prepped for their own departure from Earth. Ultraboy, Glorith, and Chameleon Boy attempt to escape Rimbor using Glorith’s magic, and Phantom Girl, Invisible Kid, and Polar Boy continue to try and regroup after their crash landing on the fabled Promethean giant.  This arc has all the hallmarks of another cosmic epic on the scale of writers Paul Levitz and Keith Giffen’s 1980’s opus, “The Great Darkness Saga.”   This issue lost a little steam, but issue #17 had two advantages.  Firstly, it had the element of surprise, following a very calm “nothing is happening” issue directly into a sucker punch in the readers’ collective gut with literally all Hell breaking loose.  Secondly, it had Keith Giffen’s Kirby-esque artwork magnifying the already nuts plotline into a tour-de-force thrill ride.  Scott Kolins and Tom Derenick do a good job, but like McCarthy above in the Batwoman review, they have the misfortune of standing in the very long shadow of Giffen.  I am pumped to read further into this amazing arc which promises to be a historic one.
  • DC Universe Presents #18 is a one shot like last month’s issue that gives spotlight to Jason Todd’s fellow outlaws.  Issue #17 was a focus on Roy Harper that really laid bare the kind of person he is as well as his hidden strengths and virtues.  This month we are shown Princess Koriand’r, aka Starfire.  Born into royalty, her sister sacrificed her to slave traders to buy peace for the realm.  This issue tells about her time as a slave on a ship that is larger than the Earth.  Inside are entire civilizations that the slavers raid and sell when needs be.  This issue wasn’t large in the action department, but did present an interesting study into the mindset of the enslaved.  How sometimes those that aren’t free are so weighed down by their bondage that they do not want to be free because of the terror it inspires in their comfortable minds.  This issue was once again written by Joe Keatinge, who wrote the  Arsenal issue last month.  The art is done by newcomer Federico Dallocchio.  The writing is thought provoking, if not action packed, and the artwork is very lovely, representing the beautiful heroine well.  Not a bad issue at all.
  • Nightwing #18 hits Dick Grayson while he’s down.  Last issue had Nightwing mourning the loss of his friends and the circus he grew up in and was trying to save.  It had Dick struggling with his own sense of denial, telling those that still cared about him that he was fine when he was really anything but, festering pain and anger deep in his belly until the pressure burst.  All the while Damian, the most socially inept, insensitive member of the Bat Family, followed him to intervene when the inevitable sword dropped.  Damian stopped him from stepping over the line and told him exactly what he needed to hear to ease his battered and bruised soul.  This issue opens with Damian dead and the old wounds he’d seemingly healed torn open and wrenched deeper by the loss of this “little brother” who knew him possibly better than even Batman.  What it comes down to is that he is losing his past.  The circus he grew up in was terrorized and some of the older members like the clown, James Clark, and his former girlfriend, Raya, brutally murdered by the Joker, the circus folds, and then Damian, who had served as his Robin when he donned the cape and cowl of Batman, dies suddenly saving Gotham.  Then Batman comes to him with information that a criminal scavenger that sells crime artifacts in underground auctions has plundered Haly’s and put John Grayson’s trapeze outfit up for sale.  The Collector last showed up in Scott Snyder’s Detective Comics run, pre-Reboot, running afoul of Dick Grayson’s Batman.  Now its a rematch in his Nightwing identity.  Though he goes in angry, the outcome of the confrontation ironically heals him and proves the truth in something Damian told Dick before he died.  But of course Dick can’t be happy for long.  When deciding to finally meet with Sonia Branch (nee Zucco), daughter of gangster that killed his parents, she reveals something about her dad that once again shows how Dick’s past is continually eroding beneath him, leaving him very little closure.  Kyle Higgins is KILLING IT!  His Nightwing run is seminal.  I may have liked other runs as much as this one, but I’m not sure.  All I know is that this is a really emotionally driven, introspective, thought provoking title that continually amazes.  Juan Jose Ryp yet again provides equally stunning interior art, really drawing out the latent potential in every heartbreaking frame.  This two issue interim arc between “Death of the Family” and the next major story arc of the title has been phenomenal on every imaginable level.

    Painful Memories

    Painful Memories

  • Red Hood and the Outlaws #18 following the shocking ending of last issue vis-a-vis the booby trapped helmet that the Joker whipped together, Jason lays in a medically induced coma, facing his greatest enemies.  With the revelation a few months prior that the Joker for all intents and purposes created him by selecting him and guiding him towards the Batman, the Clown Prince of Crime is the first of Jason’s adversaries.  However, the real adversary he fights is himself.  A mob of Bat family members, past and present, as well as his former allies converge on him at once and Batman is the one who pulls him out.  This is writer Scott Lobdell’s last issue on the series and he might be taking his character from his complete alienation of his past as Robin and bringing him back into the fold, or perhaps he’s just tempering the fiery character of the failed Robin, but in either event, he presents a single heartwarming tale for the jaded anti-hero.  Despite all he has done and the pain he has put them through, Bruce and Alfred love him and do everything in their power to help him come back to life, literally and metaphorically.  Tyler Kirkham does fantastic guest art on the title, really bringing out the twisted nature of Jason’s psyche.  Well worth picking up.RHATO18
  • Vibe #2 was a half and half issue.  Half of the issue played catch up and was boring for those who have read Justice League of America #1 & 2.  Recounting all of the snippets of Cisco Ramon’s appearances in the first two issues of the overarching JLA title, it does inform those who didn’t read the aforementioned title and gave context to those that did, but still, didn’t hit just right.  The other half of it hit a cord with DC fans that know their obscure characters.  A transdimensional invader comes through to deliver a note to an emissary.  It hands it to Vibe right before an A.R.G.U.S. agent zaps him.  The note was meant for the character, Gypsy, whose father apparently is a potentate in another reality.  A far departure from her previous back story, she is exactly like Vibe.  Few know who she is so few care if they do a MASSIVE overhaul.  What is clear is that A.R.G.U.S. likes to kidnap the daughters of powerful men.  Darkseid’s daughter is their prisoner.  This unknown king’s daughter is also their prisoner.  They better pray that Gypsy’s homeworld doesn’t form an alliance with Apokalips, because they are literally playing with fire and poking some VERY big dogs with an annoyingly sharp stick.  I want to believe Geoff Johns knows what he’s doing, but he is quitting the only good book he is currently writing.  So I put my faith in cowriter, Andrew Kreisberg.
  • Wonder Woman #18 concluded a maxi-arc in the odyssey of Zola’s baby.  In Wonder Woman #1 writer Brian Azzarello and artist Cliff Chiang introduced us to Zola, a human woman who bore Zeus’s newest bastard.  The Amazing Amazon has gone on a long journey to protect the young woman from the various gods of Olympus and upon its birth, to recover the baby from those same, meddlesome gods.  That story finds its conclusion a year and a half later.  However, it continues the tale of Zeus’s first born child, exiled and awoken millennia later with rage and vengeance on his mind.  Those same gods who tried to strong arm and kidnap an innocent child, now have to contend with a vengeful demigod fueled by distilled hatred.  Also Azzarello has re-introduced us to the New Gods of New Genesis, represented primarily by Orion, foster son of High Father and (perhaps still unbeknownst to him) the eldest son of Darkseid.  Azzarello keeps this series afloat, sometimes peaking on the wave of awesome, and other times lulling in the trough of mediocre.  This concluding issue of that first major crisis features art by alternating artist Tony Akins and Cliff Chiang, as well as a third penciller, Goran Sudzuka.  This one was pretty good and a must read if you have been one of the faithful, reading it from the inaugural issue.
  • Sword of Sorcery #6 accomplished quite a bit.  It fully introduced us to the new lord of House Turquoise after the death of Princess Amaya of House Amethyst’s grandfather, Lord Firojha.  It also introduces another newly minted House head following another shift in power.  Most importantly to the DCU in general is yet another reason why I want to see John Constantine strung up by his toes.  He singlehandedly brings the harbinger of utter ruin upon Princess Amaya’s home, but what’s worse, he uses her to invite it in.  In fairness to Constantine, however, the doom that he has sent to Nilaa was born in the Gemworld and exiled to Earth thousands of years ago.  Still, its a pretty low thing to do, considering how Amaya pulled his bacon out of the fire in the Justice League Dark Annual.  The Stalker backup feature isn’t even worth talking about.  Just horrible.  Get this issue for the main feature and then close it up after the conclusion.
  • Batman Beyond Unlimited #14 begins with an interim chapter in Batman Beyond following the conclusion of the hellacious “10,000 Clowns” arc and the coming one called “Undercloud.”  Though its a one shot, it is monumental if one followed the animated “Batman Beyond” series.  In the series Terry McGinnis constantly had to bail on his long suffering girlfriend, Dana Tan, and play it off like he was doing errands for his boss, the aged Bruce Wayne.  After the events of “10,000 Clowns” and her brother Doug unleashing hell on earth upon Gotham in the form of 10,000 suicidal Jokerz from around the world Dana is put in a situation where everything clicks.  When Doug attempted to kill their father in the ICU, Bruce Wayne, 80+ years old and dying himself from liver failure, got out of his hospital bed and fought the twenty something maniac, allowing the Tans to get Mr. Tan to safety.  When Doug took his sister as a hostage, Batman referred to her by name.  The math is right there and Dana FINALLY figures it out and a new era in Terry’s tenure as Batman begins.  The issue is also good, because Dana was often a set piece on the show and more of a plot device than an actual character.  This issue was her issue.  It was narrated by her, gave her history with an intimate look into her traumatic upbringing with a psychotic for an older brother who despite his evil nature she still loves, and tells us what gives her peace.  Adam Beechen makes this series come alive for those of us who mourned the TV series’ cancellation.  Although, I do have one beef.  In the “Justice League Unlimited” episode entitled “Epilogue” we are told that Terry discovered that Bruce Wayne was his biological father when they did the liver transplant and found out him and Bruce were identical tissue types.  In this issue the liver came from someone else.  You messed up, Mr. Beechen, but I’ll forgive you because the rest of this issue and those preceding it were truly mind blowing.  Also, kudos to Peter Nguyen who takes over for regular Batman Beyond artist Norm Breyfogle.  The art is truly beautiful, underscoring the moving narratives within.  Unfortunately, the Superman Beyond plot is leaving me whelmed.  I thought there was going to be some moral ambiguity with the Trillians claiming Superman destroyed their world, but really they are just an overclass that resents having their property taken away.  Superman freed their slaves and now they are angry.  Boo-effing-Hoo.   On to the next.  The Justice League Beyond Unlimited  story finishes off in this third installment with a new Flash, this time a young African American woman named Danica (last name to come soon, I am sure).  This arc was over relatively quickly when compared with the previous Kobra arc that spanned almost an entire year’s worth of issues.  However, despite the brevity and the quick take down of what could have been a truly formidable foe on the level of most of the greats this issue had its poignant moments that really speak to the superhero genre, why they do what they do, and gives a comprehensive intro to the next scion of the Speed Force.  Perhaps the best moment came after Superman personally extended an invitation to Dani to join the JLB.  After accepting his gracious offer, she challenged him to a foot race, which every speedster since Barry Allen have done.  Derek Fridolfs write this one as well as providing inks for Jorge Corona’s pencils.  Truly a great end to a relatively short arc.  This issue was phenomenal overall.BatmanBeyondUnlimited14

This crop was amazing, though statistically they had more shots at it with the increased number of entries.  Several of these are must gets to comic fans in general, regardless of genre.

Disclaimer: I do not own the rights to any of these images and give credit to those whose work they are.

Illustration Credits:

Action Comics #18: Drawn by Rags Morales & Brad Walker, Colored by Brad Anderson, Inked byCam Smith & Andrew Hennessy

Justice League #2:  Art by David Finch, Colored by Sonia Oback

Supergirl #18:  Drawn by Robson Rocha, Colored by dave McCaig, Inked by Oclair Albert, Julio Ferreira & Mariah Benes

Nightwing #18: Drawn by Juan Jose Ryp, Colored by Bret Smith, Inked by Roger Bonet & Juan Albarran

Red Hood and the Outlaws #18:  Art by Tyler Kirkham, Colored by Arif Prianto

Batman Beyond Unlimted #14: Drawn by Peter Nguyen, Colored by Andrew Elder, Inked by Craig Yeung

Week 74 (Jan. 30, 2013)

Ending the first motnh of 2013 comics, this week packs a LONG list of incredible titles and interesting storylines.  The Batman & Robin and Green Lantern Corps annuals are overflowing with possibilities pertaining to their individual series.  Two Before Watchmen titles bring us closer to the end of that line and a brand new appreciation for the seminal work by Alan Moore.  And then “Throne of Atlantis”, “H’El on Earth”. and “Death of the Family” each take a step forward with chapters of their crossover taking us one step further into their stories.  So here we go:

  • Aquaman #16 delivers part four of the “Throne of Atlantis” crossover event, following the capture of the League and the the further invasion of Boston by the forces of Atlantis.  With the opening of the Trench several issues ago, which Arthur had sealed in the first arc of this series to contain the unstoppable fishmen horde, Aquaman must once again head back to the ancient lair of these creatures to rescue Batman, Superman, and Wonder Woman.  While doing this Arthur learns something invaluable that connects both to the Trench beings themselves and the the scepter of the Dead King that Black Manta stole in the “Others” story arc.  This appears to be the precursor to the event’s conclusion as the culprit of the missile attack on Atlantis is revealed and the scepter makes its reappearance in unsafe hands.  Aquaman tends to teeter between being a phenomenal series and being not as good.  This issue leans in the direction of awesome.  There is a new mythology being built and some really interesting events foreshadowed.  Geoff Johns is introducing plot points and concepts that promise to mature into storylines that could be talked about for decades.  Or they could just fizzle like some of the things he’s been doing of late.  We’ll see.

    The Once and Future King

    The Once and Future King

  • Batman Inc #7  is a tour-de-force.  The series in its second and final arc has showed how Talia Al-Ghul has arranged the most perfect and intricate plot (at least that I can remember) to take out Gotham in a slow, protracted way that is seemingly impossible to stop and agonizing for Batman to watch.  Grant Morrison started writing the Batman title a little over seven years ago in 2005 and has slowly built up his own micro-Bat universe that we now see has been nothing less than a train of dominoes that that he is now tipping over.  So much of what he has introduced is now being destroyed.  Prophesies are unraveling, and Damian is coming to realize the truth behind his mother’s plan and appears to be the best candidate to save his father, his father’s city, and all his father’s allies from the insanity of his Hecuba-esque mother.  As Peter Tomasi wrote in Batman & Robin #0, Talia raised him to be a new Alexander, to conquer and pacify the modern world.  She conditioned him to perfection at the age of eight.  It is my assumption that though her plan to destroy Gotham is flawless, it is not immune to her own handiwork, vis-a-vis Damian.  This series gives me chills and is Grant Morrison at his finest. Artist Chris Burnham brings his A-game to the artwork, drafting it beautifully.  I want to know how this all ends SO BAD, but I also don’t because when it does Morrison will be off of the Batman character, which is something that I never want to see.   The ultimate conundrum . . .

    Son of the Bat/Son of the Demon

    Son of the Bat/Son of the Demon

  • Flash #16 was a delight to read.  Last issue Barry Allen was rendered unconscious and had to be rescued from Grodd by his girlfriend, police officer Patty Spivot, and other allies.  In his delirium his mind had gone through every possible outcome of how to beat Grodd and the moment he woke up the issue ended.  This issue opens with him deciding on a plan that we are not made privy to as well as  a touching scene between Barry and Patty talking about what he has to do and the depth of their feelings for one another.  I love Patty Spivot a lot, and I have a feeling that the writer/artists of this issue do too.  In another part of the issue they portray Flash’s wife from the previous incarnation of the series, Iris West, in a less than flattering manner when it comes to her relations and manipulations of Barry.  I hope that Barry and Patty have a decent amount of time together before the possibility of a relationship with Iris is put back on the table.  After parting ways with Patty the confrontation with Grodd commences and it is one that is both poignant and thought provoking in Barry’s approach.  The issue ends before the true meaning of it is made clear, but what is shown is intriguing to say the least.  Writer/artists Francis Manapul and Brian Buccellato write the Flash better than anyone (I’m looking at you, too, Geoff Johns) and they depict him visually amongside the greats.
  • Red Lantern #16 is the final Green Lantern title before the culminating  Green Lantern Corps Annual.  Atrocitus digs deep and finds the humility and strength to resurrect the Manhunters, the soulless robot army of the Guardians that murdered his family and wiped out his sector of space, and use them as his instrument of revenge against their former masters, the Guardians.  On the Red Lantern homeworld of Ysmault, the Red Lantern custodian of the Central Power Battery, Ratchet, digs beneath the planet’s surface to ascertain the cause of the leeching of power from the Corps main battery.  What he finds cuts to the deepest secret of the Red Lantern Corps’ formation, as seen in Red Lantern #0.  On Earth Rankorr faces off against the street punk that murdered his grandfather.  His goal is to kill this man, concluding his initiatory vengeance that caused the ring to choose him.  With the help of Bleez, the Corps’ first lieutenant, he does so, but retains enough human compassion to temper his rage, once again raising the question of the nature of his ties to the red ring on his finger.  I love Bleez and her portrayal in this issue remains complex and fascinating to behold.  So many interesting things occur in this issue, including Atrocitus’s trip to Maltus, the first home of the Guardians, and what he finds there the Guardians hid away out of fear.  I am not certain what it is, but I have a very shrewd idea.  This issue, like those that came before it, is proof that Peter Milligan is one of the best comic writers out there.  In the latter half of this series Miguel Sepulveda has taken over the art and I hate it so much.  This issue had a guest artist, Andres Guinaldo, who to me was a breath of fresh air.  His art was very soft and rounded giving genuine feeling to the narrative and emotion to the very tough decisions that many of the characters had to make.  Red Lantern is a top tier title because of the rich material and the talented creators that mine it and hone it to perfection.

    A Lesson in Vengeance

    A Lesson in Vengeance

  • Green Lantern Corps Annual #1 ushers in the next major event in the saga of the Green Lantern Corps.  Just as the Green Lantern Annual #1 ushered in the current “Rise of the Third Army” event, this annual inaugurates the “Wrath of the First Lantern” event.  With “Rise of the Third Army” the Guardians have descended into pure evil, assassinating their own corps in order to replace them with thoughtless drones, just like the Manhunters before them.  But its not just their police force they are going to convert, but every sentient being in the universe.  A handful of Green Lanterns have found the Guardians out and rush to stop them before they can succeed in slaughtering their fellow corpsmen like lambs to the slaughter.  This annual was INSANE, bringing together all or most of the plot points from four Green Lantern titles to a single converging point.  In four books the Guardians’ evil scheme has been experienced by multiple, isolated parties.  By issue’s end, these parties are united against the Guardians, regardless of how they fair.  The fate of Mogo is also determined in this issue, and though the final verdict on how the planet Green Lantern fits into the Guardians’ heinous scheme, I remain optimistic and have to say, “Welcome back, Mogo.  You’ve been missed, Big Guy!”
  • Batman & Robin Annual #1 is another key chapter in the evolving relationship between Bruce Wayne and his son, Damian.  Bruce is a very rigid person with a methodical nature centered around an equally rigid moral code.  Damian was raised in a more amoral atmosphere, but with the same rigidity and methodicalness.  That similarity yet diametrical difference between father and son has caused a lot of friction and misunderstanding.  But to the younger Wayne’s credit, when give the choice of staying with his father and live a life counter to his upbringing or go back to live with his mother who would give him his heart’s every desire, the ten year old doesn’t even pause.  He chooses the hard path of righteousness that his father has blazed for thirty odd years.  In this annual, Damian displays an emerging duality in his nature.  On one side he has Alfred whisk his dad away on a scavenger hunt across Europe of significant moments in Wayne history that he has discovered while trying to understand his father’s connection to his past.  Going from London, to Barcelona, to Athens, Bruce learns things about his parents that even he didn’t know.  Their loss was what prompted him to go on his crusade of vengeance that has consumed his life since that fateful day in his youth.  But that same crusade is also what blinded him to so much of his parents’ story.  So Damian reconnects him to his beloved parents in perhaps the kindest gift any son could give a father.  However, with Damian there is always a catch.  This time around, the scavenger hunt is a ruse to get Bruce out of Gotham so he can put on a makeshift Batman costume and be the Batman of Gotham for a week.  Interestingly enough, his costume is a smaller version of the trench coat Batman look that writer Grant Morrison has three times shown Damian to wear in the future when Damian becomes Batman.  This annual was really a heartfelt piece that compliments everything that Tomasi has done in the series thus far, accentuating the soul of two very interesting characters.

    A Glimpse Into The Past

    A Glimpse Into The Past

  • Before Watchmen: Ozymandias #5 delivers the penultimate chapter of the saga of Adrian Veidt, aka Ozymandias, the smartest man alive.  He’s already decided that if the world is going to continue through the nuclear age he has to be the one to save it from human shortsightedness. How he arrives upon the nightmarish scheme we see in the original Watchmen series is depicted in this issue and quite well.  I am curious as to whether his inspiration was mentioned in the original series or if Alan Moore talked about his own inspiration, because Len Wein’s explanation was spot on.  The lead up to Adrian’s undertaking of the project and the years that went into building up the infrastructure for it (14 by my count) are chronicled in minute detail, as is the implementing of the Keene Act that banned masked crime fighters.  Len Wein is one of the best writers in this Before Watchmen line and proves it in the analytic manner he composes the story, as well as the innovative way he spins the anti-heroic character considering the many sins Ozymandias commits on his path of altruism.  Jae Lee has been one of my favorite comic artists since I first saw his work on the Marvel Inhumans series years ago.  He’s been tied up with the Dark Tower series for several years now and its a delight to see him out and stretching his wings on a DC series.  The next issue of this series is going to tie the whole thing up and I am a’quiver with anticipation for the conclusion of a very intense story of one of the most iconically antipathetic characters in comics history.
  • Before Watchmen: Dollar Bill is a one-shot Before Watchmen tale about one of the least known, gaudy characters springing forth from Alan Moore’s original 1980’s series.  In it writer Len Wein humanizes the character of Dollar Bill, telling us his name and the semi-relatable tale of the man who had everything and could achieve next to nothing.  Seemingly the opposite of what a superhero should be, William Brady has the looks, the stamina, and the charm to conquer the world, excelling in sports and graduating from Dartmouth.  However, when the real world and bad luck check his success and reduce him to an unemployable mess, fate steers him inadvertently into the world of costumed adventuring.  Watchmen was a series about “realistic” superheroes and Dollar Bill fits that mold wonderfully in what he is and how Wein portrays him.  Despite him being likened to people that I dislike in my everyday life, the inner monologue and down-to-earth perspective presented made me actually like him more than a little and mourn his passing at books end.  Being that he is a Minuteman, the original vigilante group from the 30’s and 40’s, his dying isn’t that big of a spoiler, especially if one has already read The Watchmen and knows the full sordid tale of his demise.  Steve Rude provides art and lettering on this book in a very nuanced manner that is very appropriate to the title.  I include that he is also the letterer, because the way he letters the captions with the colored, emboldened first letters for each separate box is a feature characteristic of Golden Age comics of the time that this book is meant to take place, circa 1940’s.   This touch, along with his art style makes this one shot seem very authentic and believably vintage.  If one is a Watchmen fan, this is one-shot a must read issue.
  • Superman #16 picks up with H’el reliving his initial time with Superman’s parents, Jor-El and Lara, on Krypton months before its destruction.  These flashback sequences, of which there have been a few throughout the “H’el on Earth” crossover, are intriguing, as they paint H’el as a chivalrous man of the people, while at the same time calling into question the characters of Superman’s father and mother.  H’el’s scheme to restore Krypton at the cost of our entire solar system and it tens of trillions of inhabitants is nightmarish, and yet, though they have yet to come out and said it outright, H’el insinuates that Jor-El and Lara knew of and endorsed this plan.  Can that be, and if so what does it say about Superman’s heritage? On that same topic, through conversation between the two, we are shown that Supergirl is unaware that H’el’s plan will eradicate all life in our solar system and that H’el is consciously lying to her to gain her support in completing the plan.  And complete it they do, because by issue’s end the Star Chamber they have constructed is activated and the Oracle is awakened in another part of space to come and “bear witness to the end of a world.”  Kenneth Rocafort’s art makes this issue visually stunning and Scott Lobdell clearly helms the entire “H’el on Earth” crossover from this title, as every issue of Superman has been the wellspring of vital information concerning H’el’s plot and history.  Next month’s Superman #17 is solicited to bring this whole event to a close.  I, for one, cannot wait . . .
  • Talon #4 picks up in the bowels of the Hudson Financial Building as former Talon, Calvin Rose, concludes his business of defunding the Court of Owls numerous investments through this shell financial institution.  Of course, as we saw in previous issues, the Court has unleashed an asset of theirs so horrific that he was not even given the status of Talon, nor the same considerations as the rest.  With his release, the Court tips their hand as to how desperate they are to stop Calvin and his comrade-in-arms, Sebastian Clark, from further interfering in their affairs.  Also thrown into the mix is Calvin’s former lover, Casey Washington, who leads her own underground army of fugitive members of other world cabals.  Originally Calvin severed their relationship for fear that further interactions between them would lead the Court to her and her daughter.  The end of this issue tests that assumption, as well as the mettle of both Calvin and Casey in the face of the Court’s riskiest gambit.  James Tynion IV and Scott Snyder craft the plot exquisitely and Guillem March, as with everything he does, renders it beautifully up each and every page.  This series is one of the cannot miss titles of the DC lineup.
  • Batman: The Dark Knight #16 wasn’t anything special.  Batman stops a string of kidnappings and assumes they are perpetrated by the Penguin.  Upon closer inspection, mind control devices are involved meaning its the Mad Hatter.  The Mad Hatter shows up.  That’s it.  There is next to no plotline to speak of.  Perhaps Gregg Hurwitz is gearing up for something, but apart from some gratuitous violence, leaves nothing to lure readers into buying the next issue.  Gregg Hurwitz I think was brought on to take over the supposedly lackluster writing of series artist David Finch and cowriter Paul Jenkins.  Hurwitz’s writing is far less substantial than the original writing team, as evinced by his  strawman Scarecrow storyline and this empty first issue of the Mad Hatter plot.  The one saving grace of this issue was the guest art by Ethan Van Sciver.
  • Teen Titans #16 brings to a close the “Death of the Family” tie-ins of both Red Hood and the Outlaws as well as Teen Titans, since Joker kidnapped Jason Todd and Timothy Drake together.  Last week’s Red Hood and the Outlaws #16 didn’t deal with the “Death of the Family” plot head on, but rather a roundabout way through the associates of the two former Robins coming together to locate their respective teammates.  This one focuses on Tim and Jason as they face off against the Joker, culminating in that oh so familiar defeat and awakening to the Joker holding a platter that all the other affiliated series have ended on with the promise of resolution in Batman #17.  I have no idea what that portends, but this issue found its heart in two diametrically different sidekicks of the Batman coming together like brothers against a common enemy.  You can tell that there is a lingering dislike and rivalry between the two that belies a deep fraternal affection for one another.  They also gel quite well when the chips are down and lives are at stake.  Scott Lobdell and artist Brett Booth hit a homerun this issue, in my humble opinion.  Also, as a post-script, I thought it fascinating that Lobdell threw in the teaser page, that not only introduced properly (there was a passing mention in Teen Titans #13) Trigon and his intentions to invade our sphere.  Also introduced is his daughter Raven (who was introduced as a girl in Phantom Stranger #1), here seen in her demon’s garb, which I think trumps her original outfit ten times over.  An original member of the New Teen Titans, I hope that her future appearances lead to her joining the team as she had in most of the title’s previous incarnations.
    The Rise of Raven

    The Rise of Raven


  • Justice League Dark #16 flounders a little bit, in my opinion.  In the “magical world” that is anything but, we see that the aboriginal denizens of magic have been forced underground by the humans who have adopted superscience to cull and repress the magical element, eventually dominating the whole of this sphere of existence.  The last hope of the magical beings is their lost king, the Hunter, who escaped to Earth via the Books of Magic and promised to return.  Timothy Hunter is his descendant and his coming could herald the return of magic.  The story is interesting for sure, but the delivery was a little bland and lacking the panache and charm that this title began with in spades.  Jeff Lemire is a good writer, but the direction he’s taking the characters in could be better.
  • Masters of the Universe: The Origin of He-Man was less exciting and reveiling than its predecessor, The Origin of Skeletor.  With the Skeletor introduction, not only did writer Joshua Fialkov do something completely different by making Skeletor, then Keldor, the older brother of King Randor, He-Man’s father, but also wrote a very compelling story for his transition from loyal and loving older brother to insane, skull faced dictator. The narrative was compelling, innovative and took the reader by surprise.  This origin story of He-Man says NOTHING!  He-Man isn’t portrayed in any other way than he has been in the past, and apart  from Skeletor being his uncle, nothing is different.  This special not only doesn’t need to be read, but shouldn’t have been written as it gives nothing new, interesting or insightful to the proceedings.
  • He-Man and the Masters of the Universe #6 concludes the miniseries with the combined forces of the Masters of the Universe awakening from Skeletor’s amnesia spell and the final battle with Skeletor commencing.  As He-Man stories go it wasn’t terrible.  The series started off and continued to do some innovative things so I will admit I was expecting more from the conclusion, however, it did live up to expectations.  One thing that surprised me and I guess I will give credit to being edgy and innovative was that King Randor, Teela, and everyone else knew that He-Man is also Prince Adam.  Also it is revealed through passing that the amnesia spell was cast by Orko who betrayed the Masters.  THAT would be something I wish that they would have shown considering that Orko is one of the most benign characters in the He-Man mythos.  His betrayal would have been a juicy plot point that other He-Man faithful, like myself, would have really enjoyed seeing.  Either way, this new version was pretty good and it appears there will be an ongoing He-Man and the Masters of the Universe series beginning in April, featuring a return of both writer Keith Giffen and artist Pop Mhan.
  • Batman Beyond Unlimited #12 begins with Superman Beyond, written by JT Krul and drawn by Howard Porter.  Superman enlists the aid of Martian Manhunter to discern the cause of the Trillians trying to kill him.  The rationale behind their vendetta is revealed and is far different and much more benign than I had thought.  If what Superman recalls is accurate, their anger is unwarranted and only serves to depict them as a cruel race.  However, in fairness to the Trillians, their side of the story hasn’t been told yet and circumstances might be slightly different from what Superman remembers, considering it took Martian Manhunter to recover those forgotten memories.  Next on the docket is a Justice League Beyond: Origin of Micron feature.  The son of a Gotham City paramedic, Micron was exposed in utero to radiation that caused him from birth to be able to shrink and expand to different sizes.  Cursed through childhood with being different and having to move often because of it, as an adult he makes his way to Metropolis to join the Justice League Beyond.  A pretty cut and dry origin with little ambiguity or twists to it, the story still resonnated through the very personal voice with which it is told.  Finally, Adam Beechen privides the next chapter in his Batman Beyond “10,000 Clowns” storyline.  It is actually more of a small taste, not accomplishing much narratively, except giving Batman (Terry McGinnis’) inner monologue on the state of affairs that find him against the ropes at the hands of the Joker King, the thoughts that lead to his rallying, and reintroducing Max back into the storyline after her abduction several issues ago, as well as revealing the identity of her captor.  Overall, this issue was entertaining, but didn’t accomplish any great revelation in any of the three segments.  However, the coming issues promise to do so based on what this issue did present.
  • Arrow #3 begins with a tale of Ollie trying to juggle his friendship with Tommy Merlyn with his nights as Starling City’s hooded vigilante.  Its an interesting story, but not very innovative or complex.  The next cashes in on the “found footage” genre of storytelling made popular recently with the movies Cloverfield, Chronicle, Apollo 19, and others.  Three kids get a video camera and a van and attempt to get footage of the Hood in action.  Finally, the third tale fills in the past of Helena Bertinelli, aka the Huntress, and the events that drove her to the jaws of vengeance seen in the series this past November.  Though intriguing, I wouldn’t say these inhanced the enjoyment or immersion into the world of the television show as effectively as the previous two have achieved in months past.
  • All-Star Western #16 picks up with what seems to be a premise spawned from a dare.  How do you make a dude in a wheel chair a total badass?  Well, with a character like Jonah Hex, half the work is done for you. After facing off with Edward Hyde who had kidnapped and forcefed his serum to Hex’s associate Dr. Jeremiah Arkham, Jonah faced off against the genocidal lunatic and was soundly thrashed.  With Arkham institutionalized until the serum ran its course through his system, Hex was left wheelchair bound to convolesce in the good doctors mansion.  Like any predator, Hyde isn’t one to let his prey escape permanently and comes for a reckoning with Hex who even one month later is still chair ridden. Also of interest is Hex’s time time in the Arkham home. In the past, we have heard the shrill cries of Arkham’s aged mother from the upper levels of the house, but never seen her.  This issue finally gives us an up close view of the woman and her demented frame of mind, namely her taste for the literary.  This issue was quite an interesting way to draw the saga of Dr. Jekyll and Mr. Hyde’s time in Gotham to a close, as well as perhaps a keystone moment in the history of the Black Diamond and its whereabouts in the present of the DCU.  The backup feature Tomahawk also reaches its concluding chapter as the eponymous native warrior leads a unified assault of the Chickasaw, Choctaw, Shawnee, and Ojibwe tribes against the remaining British forces that shelter the American commander, General Lancaster, who butchered the families of Tomahawk and his fellows.  They win the day and kill the American and British soldiers present, but the final words of Lancaster ring true through the inevitablity of history.  The time of the Native Americans on their land is drawing to a close.  The rising tide of European settlers will replace them, and we the reader know this to be historically the outcome.  The true heart of the feature is the strength of the warriors’ spirit to stand against the encroaching tides.

    Old Lady Arkham

    Old Lady Arkham

  • The Unwritten #45 shifts focus from Tom Taylor’s trevails in the previous arc to Richie Savoy and Didge Patterson in real world Australia.  Savoy has set out to establish his own story and breakaway from being a supporting character in Tom’s story.  It would appear that he has been successful in that endeavor to a degree, but is beset with the troubles that come from being the main character of a story, especially in the face of the calamity of the fictional world caused by the “Wound” sustained in the War of the Words.  However, his existentialist woes are cut short when Didge asks him to advise on a very strange murder case she is investigating involving what appear to be zombie attacks.  As with many strange occurrences in this title’s four year run, the zombies are conjured into existence through the written word.  The who is established by issue’s end by the why and logistics are yet to be seen.  Mike Carey and Peter Gross continue to amaze in this issue with some really dynamic storytelling and very compelling characters, developed slowly and carefully over years of subtly crafted storylines.
  • Joe Kubert Presents #4 rounds out the week with yet another sojourn by Kubert into the tale of “The Redeemer”, another tale of “Angel and the Ape” by Brian Buniak, and further anecdotes of Sam Glanzman about his time on the “USS Stevens.”  In “The Redeemer” Kubert goes from the year 2557 A.D. to the end of the Civil War and the Redeemer, Jim Torkan, trying to piece his life back together after his life in the South is destoryed following the surrender of Lee’s forces.  The post-war South and the frontier in the western territories were laden with great injustices and moral quagmires that could corrupt even the purest heart.  The Redeemer, true to his name, is a man whose virtue in the face of such situations dictates the redemption or fall of mankind.  But he is a man with human weaknesses, so the question remains as to whether he can remain pure of heart in a morally corrupt world.  “Angel and the Ape”  concluded their current case and comedically grants Angel greater knowledge of her partner, Sam, a crusading gorilla.  In the “USS Stevens” Sam Glanzman tells of an eccentric “asiatic” crew member on the boat called Buck, who was a practioner of Eastern philosophies like Zen Buddhism and an aficionado of quantum physics and relativity theorems   Crafting a makeshift weapon that crew members sometimes fashioned from scrap metal aboard shop called “sheath knives”, Buck attacked the captain of the boat and earned himself a transfer off ship.  The night before, supposedly someone on another boat swore they saw Buck floating in front of the Stevens where a figurehead would normally appear.  The story clearly was told for the sole purpose of rationalizing the feasibility of whether this sighting was real or fabricated, considering his former peculiarities, as well as the man on the other ship’s ignorance of Buck’s eccentricities.  The issue concludes like its predecessors with a very novel, retro feel of a bygone era of comic writing.
    Lives Lives And Lives To Come

    Lives Lives And Lives To Come

    Disclaimer: I do not own the rights to any of these images and give credit to those whose work they are.

Ending a long, but memorable week of comics, the books that came out just reaffirm how incredible this medium is.  Next week February promises a continuance on some incredible stories told this first month of 2013.  Can’t wait to read them and share my impressions with all of you.

 

Illustration Credits:

Aquaman #16: Drawn by Paul Pelletier, Colored by Rod Reis, Inked by Sean Parsons

Batman Inc #7: Art by Chris Burnham, colored by Nathan Fairbairn

Red Lanterns #16: Drawn by Andres Guinaldo, Colored by Rain Beredo, Inked by BIT

Batman & Robin Annual #1: Drawn by Adrian Syaf, Colored by John Kalisz, Inked by Vincente Cifunetes

Teen Titans #16: Drawn by Brett Booth, Colored by Andrew Dalhouse, Inked by Norm Rapmund

All-Star Western #16: Art by Moritat, Colored by Mike Atiyeh

Joe Kubert Presents #4: Art by Joe Kubert