October ends with some oversized books and four annuals. I have to say this proves to be a Halloween full of quite a few treats, but hopefully no treats. Vertigo puts out a holiday anthology called Ghosts to commemorate the witching season, and four of my favorite comics have their annuals: Action Comics, Batgirl, Swamp Thing, and Justice League Dark. Here we go.
- Aquaman #13 brings to a close the “Others” arc in a rather quick fashion. I did enjoy the story, however, as it humanized Arthur, showing the bond he has formed with the members of the “Others” as well as his culpability in the death of Black Manta’s father. He even states that Manta didn’t lay a hand on his father, or cause the heart attack that killed him, but Arthur did go seeking Manta’s blood and killed his father with his own hands accidentally. What this issue also does is pave the way to the debut of Arthur’s brother, the sitting king of Atlantis, Orm, better known as Ocean Master. Dark things are brewing in the world of Aquaman and are solicited to come to a head in December with the Justice League/Aquaman crossover, “Throne of Atlantis.”
- Action Comics Annual #1 was an annual that I don’t think was necessary to read. Perhaps I am being harsh, but it didn’t seem to jibe with the feel of the title overall or the other Super-books. Grant Morrison’s run on the title is ending in February/March-ish, so this could be backup writer, Sholly Fisch, setting up a storyline that will succeed Morrison’s in early 2013. Following the first arc of Morrison’s run, Superman stopped a man named Ramsay from abusing his wife. In this annual, Ramsay volunteers for a project to get dosed with kryptonite radiation in an attempt to provide a countermeasure to Superman. Thus, Ramsay becomes the New 52 “Kryptonite Man.” John Henry Irons, aka Steel, makes his reappearance and cements his relationship with Superman as a comrade. In the backup feature, which is usually written by this Annual’s feature writer, Fisch, Max Landis (writer/director of the movie Chronicle) pens a pantomime story of a man who escapes from a breached S.T.A.R Labs submarine to a deserted island with exceptional powers. He is does with radiation and ends up removing his face, revealing a skull . . . that is now “atomic.” While Kryptonite Man and Atomic Skull enter the New DCU, I thought it could have been better on all fronts.
- Batgirl Annual #1 was pretty stellar. Showcasing the beautiful artwork of Admira Wijaya, Gail Simone brings back the Talon she introduced in the Batgirl “Night of the Owls” tie-in as well as Catwoman to shake up Barbara Gordon’s world. If that weren’t enough, a mysterious organization is strong arming vagrants from the slums to commit a rash of arsons. Featuring three very strong women with three different shades of morality, Simone somehow gets each to connect with the others in interesting ways. I truly hope that this heralds further interactions by the three together, because as I have made no secret about my love for Barbara Gordon and Selina Kyle, Simone adds depth to the female Talon of the 1950’s and even gives us her name . . . Exceptional art and writing, making for an exceptional annual.
- Swamp Thing Annual #1 starts out in the “here and now” of the series, in the very bleak events of “Rotworld” after Alec Holland learns of his lover, Abigail Arcane’s, death. Following this blow, the annual takes Holland back into a repressed memory of when he first met Abigail when they were young and in love. It also showed his very first meeting with her uncle, Anton Arcane. This is one of those issues that is just a pleasure to read if you enjoy the series it encapsulates. To be quite honest, this annual felt like a better origin than the zero issue last month. Becky Cloonan’s lent her art to Scott Snyder’s twelfth Batman issue a few months ago, and lends it yet again, really setting the atmosphere with her unique style, but framing several key sequences in the vein of Yanick Paquette. This was my favorite book of the week.
- Justice League Dark Annual #1 concludes the “Books of Magic” storyline as well as pulls out all the stops. Nick Necro has carefully laid out his plans and now those plans are coming to fruition. To counter them, Constantine and Madame Xanadu pulls in some extra help: Timothy Hunter, Andrew Bennet, and most shockingly, Princess Amaya from the series Amethyst. The seeds for this last appearance were sown in the final pages of the zero issue of Sword of Sorcery, but I personally never saw her being drawn into the title like this. Jeff Lemire is a very gifted writer and the way he plays out the dark, mystical plot is quite unexpected. When the Books of Magic are revealed they manifest in a way that not even Constantine could fathom.
- Joe Kubert Presents #1 is a six issue miniseries that was initiated by legendary comic writer/artist Joe Kubert to present comics in a style that he wished were more prevalent in today’s market. In this inaugural issue he presents two tales he wrote and drew, as well as two stories written and drawn by two of his friends and colleagues, Brian Buniak and Sam Glanzman. Kubert brings to the table a Golden Age Hawkman story about the barbarity of humanity and the danger posed by our civilization if our destructive natures aren’t curbed, as well as a black and white uninked pencil segment called “Spit” about a young orphan who is literally spit on by the world, setting out as a cabin boy on a whaling ship. Both of these segments represent a style that is so quintessentially Joe Kubert, who’s art is such that its immediately recognizable, like that of Jack Kirby or John Romita Sr. Brian Buniak brings back a short feature he called “Angel and the Ape” about a knockout blonde and a gorilla who have a detective agency and solve crimes in a campy 1960’s setting. One thing that Kubert has become known for in many of his solo projects is war stories, and while he didn’t do one himself in this issue, his friend Sam Glanzman submits one about his reminiscences of service in WWII on the U.S.S. Steven, a naval destroyer. This feature cuts deeper than the rest, because you can sense the reality and the melancholic beauty that Glanzman is evoking from his haunted past. I agree with Kubert that comics like these are rarely seen anymore on the stands and harken back to a time when things were simpler in presentation, but perhaps a little more poignant too in the simplicity with which they are portrayed It is also worth noting that while Joe Kubert began this project sometime in the past year he passed away two and a half months before this first issue came out. His passing makes the point of the series even more resonant, like his one last gift to the world before leaving it was showing us a glimpse at what he loved about the medium he dedicated his entire working life to, and the promise of what that medium could be.
- Masters of the Universe: Origin of Skeletor was one of those stories that it hurt to read, but in a good way. I was a HUGE “He-Man” fan when I was four years old and looking back and revisiting the television show as an adult I can still find things that intrigue and entertain me within the somewhat cheesy 80’s cartoon. For instance, the episodes of the original series where it is revealed that He-Man’s mother, Queen Marlena, is actually a United States astronaut who flew her experimental spacecraft through a wormhole and crashed on Eternia or the episode when Teela goes in search of her real parents only to discover that the Sorceress of Castle Greyskull is in fact her mother. These plot points totally caught me off guard as an adult and made the series fresh again. This new DC series takes the premise of He-Man and re-imagines it a little bit, continuing in the tradition of creating interesting relationships and circumstances within the Eternian drama. He-Man’s greatest villain is portrayed as the older, bastard brother of his father, King Randor. Keldor, the blue skinned son of King Miro and an unknown Gar woman, loves his little brother, Prince Randor, and craves the love of his father, which he always falls a little bit short of. The issue chronicles the conflict within him between the love he had for his brother and the need to be his own person and live his own life at the cost of loyalty to his father and brother. I have never been a fan of I, Vampire, but Joshua Hale Fialkov writes a very compelling story of an anti-heroic character and Frazer Irving renders it artistically in much the same mood. This issue is why, even as a twenty-seven year old man, I am still a boy watching He-Man with an entranced smile on my face.
- Phantom Lady & Dollman #3 was not the greatest comic. I am a fan of the writing of Jimmy Palmiotti and Justin Gray, but this issue didn’t really accomplish anything. They go up against a super powered villainess named Funerella, who herself is undead and can raise and control the dead. They fight her, but nothing really comes of it or goes toward the resolution of the main plot.
- Batman Beyond Unlimited #9 accomplishes some very interesting storytelling. In Superman Beyond, the elderly Man of Steel emerges from his Fortress of Solitude in special armor to stop Lucinda Luthor and the computerized copy of her father, Lex’s, consciousness from destroying mankind, after they put a meteor field around earth comprised of pure kryptonite. In the process he reinvents himself with a new identity into a new civic role to reacquaint himself with the new world that has developed in his absence. In the Justice League Unlimited Beyond segment the apocalypse engineered by Kobra draws closer and the endgame begins to unfold, and Bruce’s last ditch strategy is implemented by Terry when all else falls through. Enter an OLD “friend” . . . Finally, in Batman Beyond‘s “10,000 Clowns” another chapter brings the reader further into the unmitigated chaos that the Joker King has descended upon Gotham. To combat this, Terry has all hands on deck. Vigilante, Catwoman, and two former Robins step in to help him as thousands of Joker suicide bombers attack nearly every echelon of Gotham’s infrastructure.
- The New Deadwardians #8 concludes the miniseries in truly grand, nuanced style. Chief Inspector George Suttle tracks down the villain, Salt, and in the final confrontation with the madman uncovers the conspiracy that led to the Restless invasion of Great Britain. Following this revelation, Suttle’s handling of the situation as well as the government’s is rather interesting, adding further layers to the already multifaceted plot. I have loved this series from issue #1. I truly hope that this miniseries spawns another, because George Suttle, his maid, Louisa, his aide, Officer Bowes, and his lover, Sapphire, are all very round and complex characters deserving of further exploration, as does the Deadwardian Age. I put out my prayers to the “gods” of comics to have mercy on their readers and give us another New Deadwardians series.
- American Vampire #32 builds off the surprise ending of last issue, showing Hattie Hargrove’s journey from when last we saw her, escaping from the Los Angeles coven as an experimental guinea pig and returning as their queen. There is little to say about the issue itself, but that it is PHENOMENAL!!! It is quite obvious Scott Snyder has been building toward this issue and the one to come for sometime. I don’t know what is real and what is sleight of hand, but either way this arc has been another step on the uninterrupted ascent of this series’ incredible run. Snyder’s writing is peerless and Rafael Albuquerque’s art is appropriately eerie and stark.
- Vertigo Comics: Ghosts #1 is a Halloween inspired special anthology that deals with the appropriate topic of Ghosts, featuring nine stories by some of the most innovative talent in comics, including some of my favorites: Amy Reeder, Phil Jimenez, Paul Pope, Gilbert Hernandez, Geoff Johns, Jeff Lemire, and apropos a previous entry, an unfinished penciled story by Joe Kubert. The stories range from a tale of a young man being haunted by the ghost of himself from a life that might have been, to the Dead Boy Detectives, to satanic chili connoisseurs, to a tale of ancient Aztecs. Like all Vertigo anthologies there were some stories that were stunning and others that fell flat. Overall, this one had some quality storytelling complimented by equally beautiful art.
And thus ends the month of October with a fifth week of very special issues. Next week we start November fresh with some stellar titles like Action Comics, Green Lantern, Swamp Thing, and Worlds’ Finest. Hope to see you back here.
Disclaimer: I do not own the rights to any of these images and give credit to those whose work they are.
Action Comics Annual #1: Art by Ryan Sook
Swamp Thing Annual #1: Art by Becky Cloonan, Colored by Tony Avina
Joe Kubert Presents #1: Art by Joe Kubert
Masters of the Universe: The Origin of Skeletor: Art by Frazer Irving
The New Deadwardians #8: Art by Guillem MarchI.N.J. Culbard, Colored by Patricia Mulvihill
Vertigo Comics: Ghosts #1: Art by Jeff Lemire, Colored by Jose Villarrubia